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from Album Xico // VY-29-C by Victor Vasarely, created in 1973, is a serigraph print that exemplifies the artist's fascination with optical art. The composition features geometric forms in shades of green, blue, and black, arranged in a symmetrical, grid-like structure that appears to shift and vibrate. The bold contrast between colors and the precise alignment of shapes create an illusion of three-dimensional cubes, drawing viewers into a seemingly infinite depth. Vasarely, a pioneer of Op Art, masterfully uses color and form to challenge perception, inviting viewers to explore the dynamic interplay between flatness and dimensionality. This piece, part of the Album Xico collection, reflects Vasarely's innovative approach to visual manipulation.
VY-29-C, 1973
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Medium
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90 x 72 cm
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Details
Artist
Styles
from Album Xico // VY-29-C by Victor Vasarely, created in 1973, is a serigraph print that exemplifies the artist's fascination with optical art. The composition features geometric forms in shades of green, blue, and black, arranged in a symmetrical, grid-like structure that appears to shift and vibrate. The bold contrast between colors and the precise alignment of shapes create an illusion of three-dimensional cubes, drawing viewers into a seemingly infinite depth. Vasarely, a pioneer of Op Art, masterfully uses color and form to challenge perception, inviting viewers to explore the dynamic interplay between flatness and dimensionality. This piece, part of the Album Xico collection, reflects Vasarely's innovative approach to visual manipulation.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
