


Details
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Serigraph on parchment arranged in 11 columns on 8 membranes - signed and numbered from the edition of 180. Please note that the acrylic case is not included. // Yaacov Agam's Megillat Esther (1980) is a vibrant serigraph on parchment that reinterprets the traditional Jewish scroll of Esther. Structured in 11 columns across eight membranes, this piece features Agam’s signature use of dynamic colors and geometric patterns, arranged in bands and circles that interact with the text in the center. Each color and shape seems to pulse and shift, encouraging viewers to experience the scroll’s narrative through both visual and spiritual lenses. The artwork’s rhythmic arrangement draws from Agam’s deep connection to Kinetic Art, inviting the viewer to engage with the story of Esther in a uniquely modern format. Limited to an edition of 180, the piece exemplifies Agam’s fusion of religious tradition with contemporary abstraction.
Megillat Esther, 1980
form
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49.8 x 2.5 cm
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Details
Artist
Styles
Serigraph on parchment arranged in 11 columns on 8 membranes - signed and numbered from the edition of 180. Please note that the acrylic case is not included. // Yaacov Agam's Megillat Esther (1980) is a vibrant serigraph on parchment that reinterprets the traditional Jewish scroll of Esther. Structured in 11 columns across eight membranes, this piece features Agam’s signature use of dynamic colors and geometric patterns, arranged in bands and circles that interact with the text in the center. Each color and shape seems to pulse and shift, encouraging viewers to experience the scroll’s narrative through both visual and spiritual lenses. The artwork’s rhythmic arrangement draws from Agam’s deep connection to Kinetic Art, inviting the viewer to engage with the story of Esther in a uniquely modern format. Limited to an edition of 180, the piece exemplifies Agam’s fusion of religious tradition with contemporary abstraction.
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What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.