


Details
Artist
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Serigraph on parchment arranged in 11 columns on 8 membranes - signed and numbered from the edition of 180. Please note that the acrylic case is not included. // Yaacov Agam's Megillat Esther (1980) is a vibrant serigraph on parchment that reinterprets the traditional Jewish scroll of Esther. Structured in 11 columns across eight membranes, this piece features Agam’s signature use of dynamic colors and geometric patterns, arranged in bands and circles that interact with the text in the center. Each color and shape seems to pulse and shift, encouraging viewers to experience the scroll’s narrative through both visual and spiritual lenses. The artwork’s rhythmic arrangement draws from Agam’s deep connection to Kinetic Art, inviting the viewer to engage with the story of Esther in a uniquely modern format. Limited to an edition of 180, the piece exemplifies Agam’s fusion of religious tradition with contemporary abstraction.
Megillat Esther, 1980
form
Medium
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49.8 x 2.5 cm
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Details
Artist
Styles
Serigraph on parchment arranged in 11 columns on 8 membranes - signed and numbered from the edition of 180. Please note that the acrylic case is not included. // Yaacov Agam's Megillat Esther (1980) is a vibrant serigraph on parchment that reinterprets the traditional Jewish scroll of Esther. Structured in 11 columns across eight membranes, this piece features Agam’s signature use of dynamic colors and geometric patterns, arranged in bands and circles that interact with the text in the center. Each color and shape seems to pulse and shift, encouraging viewers to experience the scroll’s narrative through both visual and spiritual lenses. The artwork’s rhythmic arrangement draws from Agam’s deep connection to Kinetic Art, inviting the viewer to engage with the story of Esther in a uniquely modern format. Limited to an edition of 180, the piece exemplifies Agam’s fusion of religious tradition with contemporary abstraction.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.