
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Mixed materials (wood & copper) - Signed and numbered on the base; numbered on accompanying insert card // Surplus Value (Beige) by Yue Minjun is a mixed-media sculpture from 2019, crafted from wood and copper. This artwork features the iconic laughing figure commonly found in Yue Minjun’s body of work, symbolizing absurdity and irony. The figure's exaggerated, wide-mouthed laughter conveys a sense of both joy and critique, questioning societal norms and human emotions. Topped with a copper dish, the piece blends humor with an underlying commentary on value and materialism, typical of Yue’s satirical approach. The detailed craftsmanship of the wood adds warmth to the figure’s otherwise surreal expression.
Surplus Value (Beige), 2019
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19 x 19 X 14.5 cm
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Details
Artist
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Mixed materials (wood & copper) - Signed and numbered on the base; numbered on accompanying insert card // Surplus Value (Beige) by Yue Minjun is a mixed-media sculpture from 2019, crafted from wood and copper. This artwork features the iconic laughing figure commonly found in Yue Minjun’s body of work, symbolizing absurdity and irony. The figure's exaggerated, wide-mouthed laughter conveys a sense of both joy and critique, questioning societal norms and human emotions. Topped with a copper dish, the piece blends humor with an underlying commentary on value and materialism, typical of Yue’s satirical approach. The detailed craftsmanship of the wood adds warmth to the figure’s otherwise surreal expression.
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What is Chinese contemporary art?
Chinese Contemporary Art is marked by a wide range of styles and experimental approaches. In the 1980s, avant-garde exhibitions were often shut down by government officials. The 1990s saw the rise of political pop and cynical realism, while China's One-Child Policy influenced artists to explore the individual as a subject matter.