Sam Francis

Untitled, 1984

106.7 X 73 inch

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Smile-ism No.5: One Smile will Lead to Another

Yue MINJUN | Untitled (Smile-ism No. 3) | Lithograph  available for sale on composition gallery
Yue Minjun is a contemporary Chinese artist who works in Beijing. He is most widely known for his oil paintings that show himself laughing in a variety of different settings. He has also copied this image in watercolor, prints and sculpture. Critics have labeled him a part of the "Cynical Realism" movement in China, al Read More
Artwork Copyright © Yue Minjun

Untitled (Smile-ism No. 3), 2006

form
Medium

Lithograph on Rives BFK paper - Series: Smile-ism - Hand signed and numbered in pencil

Yue Minjun is a contemporary Chinese artist who works in Beijing. He is most widely known for his oil paintings that show himself laughing in a variety of different settings. He has also copied this image in watercolor, prints and sculpture. Critics have labeled him a part of the "Cynical Realism" movement in China, al Read More
Artwork Copyright © Yue Minjun

Yue Minjun

Surplus Value (Beige), 2019

Sculpture / Object

Mixed Media

GBP 9,000 - 12,000

Yue Minjun

Surplus Value (Brown), 2019

Sculpture / Object

Mixed Media

GBP 9,000 - 12,000

Yue Minjun

The Three Musketeers, 2019-2022

Limited Edition Print

Screen-print

USD 3,200

Yue Minjun

Untitled (Smile-ism No. 9), 2006

Limited Edition Print

Lithograph

USD 3,750

Yue Minjun

Untitled (Smile-ism No. 14), 2006

Limited Edition Print

Lithograph

Currently Not Available

Yue Minjun

Untitled (Smile-ism No. 16), 2006

Limited Edition Print

Lithograph

Currently Not Available

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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