Sam Francis

Untitled, 1984

106.7 X 73 inch

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Surplus Value (Beige)

Yue Minjun Untitled (Smile-ism No. 25) 2006 lithograph of three identical men reclining with exaggerated grins, exploring themes of satire and conformity.

Hand-signed by the artist, front. Yue Minjun’s Untitled (Smile-ism No. 25) (2006) is a striking lithograph that embodies his signature satirical and surrealist style. Featuring three nearly identical, semi-nude male figures reclining on a white surface, their exaggerated grins stretch unnaturally across their faces. Their pinkish, almost sunburned skin contrasts starkly against the pale background, emphasizing the grotesque, almost mechanical nature of their laughter. Minjun, a leading figure in China’s Cynical Realism movement, often uses self-portraiture to explore themes of identity, absurdity, and collective experience. The forced, almost unsettling laughter in Smile-ism No. 25 critiques societal pressures, mass conformity, and the contradictions within contemporary life. The piece, part of a limited edition of 45, captures Minjun’s ability to transform humor into a vehicle for deeper introspection and social commentary.

Artwork Copyright © Yue Minjun

Untitled (Smile-ism No.25), 2006

form

Medium

Edition

Hand-signed by the artist, front. Yue Minjun’s Untitled (Smile-ism No. 25) (2006) is a striking lithograph that embodies his signature satirical and surrealist style. Featuring three nearly identical, semi-nude male figures reclining on a white surface, their exaggerated grins stretch unnaturally across their faces. Their pinkish, almost sunburned skin contrasts starkly against the pale background, emphasizing the grotesque, almost mechanical nature of their laughter. Minjun, a leading figure in China’s Cynical Realism movement, often uses self-portraiture to explore themes of identity, absurdity, and collective experience. The forced, almost unsettling laughter in Smile-ism No. 25 critiques societal pressures, mass conformity, and the contradictions within contemporary life. The piece, part of a limited edition of 45, captures Minjun’s ability to transform humor into a vehicle for deeper introspection and social commentary.

Artwork Copyright © Yue Minjun

Yue Minjun

Untitled (Smile-ism No.25), 2006

Limited Edition Print

Lithograph

USD 6,500

Yue Minjun

Surplus Value (Beige), 2019

Sculpture / Object

Mixed Media

GBP 9,000 - 12,000

Yue Minjun

Surplus Value (Brown), 2019

Sculpture / Object

Mixed Media

GBP 9,000 - 12,000

Yue Minjun

The Three Musketeers, 2019-2022

Limited Edition Print

Screen-print

USD 2,600

Yue Minjun

Untitled (Smile-ism No. 9), 2006

Limited Edition Print

Lithograph

USD 3,750

Yue Minjun

Untitled (Smile-ism No. 14), 2006

Limited Edition Print

Lithograph

Currently Not Available

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What is Political Pop?

Political Pop was an art movement that emerged in China during the 1980s, blending the Pop Art style of Western countries with the socialist realism of China. This movement arose during a time of rapid social and political change in China, as artists sought to create works that questioned and critiqued these cultural shifts. Political Pop often juxtaposed iconic images from Chinese propaganda with Western consumer culture, highlighting the tensions between tradition and modernization.

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