Sam Francis

Untitled, 1984

106.7 X 73 inch

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Big Family No.3 (from Bloodline portfolio)

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Brother and Sister (from Bloodline portfolio)

Zhang Xiaogang's The Big Family 2006 lithograph, grayscale portrait of four family members with central figure in red, connected by red lines.

Lithograph printed in colours - Signed, numbered and dated on the front - Printed by IDEM, Paris. Published by Beijing Commune, Beijing. // Zhang Xiaogang’s The Big Family from the Bloodline series presents a family portrait rendered in grayscale, with a single member depicted in vibrant red. The image features four individuals, all with solemn, expressionless faces, positioned closely together. One of the central figures stands out with striking red skin, a hallmark of Zhang’s style symbolizing emotional or generational weight within the family structure. Fine red lines subtly trace connections between the family members, evoking the invisible bonds of heritage and bloodline that tie them together. Zhang’s use of light and shadow highlights the symmetry and placidity of the figures, capturing a sense of unity but also quiet alienation. Signed, numbered, and dated on the front, this lithograph printed by IDEM in Paris and published by Beijing Commune encapsulates Zhang’s reflections on identity, family, and the socio-political legacy of Chinese history.

Artwork Copyright © Zhang Xiaogang

The Big Family (from Bloodline portfolio), 2006

form

Medium

Edition

Lithograph printed in colours - Signed, numbered and dated on the front - Printed by IDEM, Paris. Published by Beijing Commune, Beijing. // Zhang Xiaogang’s The Big Family from the Bloodline series presents a family portrait rendered in grayscale, with a single member depicted in vibrant red. The image features four individuals, all with solemn, expressionless faces, positioned closely together. One of the central figures stands out with striking red skin, a hallmark of Zhang’s style symbolizing emotional or generational weight within the family structure. Fine red lines subtly trace connections between the family members, evoking the invisible bonds of heritage and bloodline that tie them together. Zhang’s use of light and shadow highlights the symmetry and placidity of the figures, capturing a sense of unity but also quiet alienation. Signed, numbered, and dated on the front, this lithograph printed by IDEM in Paris and published by Beijing Commune encapsulates Zhang’s reflections on identity, family, and the socio-political legacy of Chinese history.

Artwork Copyright © Zhang Xiaogang

Zhang Xiaogang

Big Family Portrait, 2007

Limited Edition Print

Lithograph

Inquire For Price

Zhang Xiaogang

Big Family No.1 (from Bloodline Portfolio), 2006

Limited Edition Print

Lithograph

GBP 4,000 - 6,000

Zhang Xiaogang

Big Family No.2 (from Bloodline Portfolio), 2006

Limited Edition Print

Lithograph

GBP 4,000 - 6,000

Zhang Xiaogang

Comrade Woman (from Bloodline Portfolio), 2006

Limited Edition Print

Lithograph

GBP 2,000 - 4,000

Zhang Xiaogang

Big Family No.3 (from Bloodline Portfolio), 2006

Limited Edition Print

Lithograph

GBP 5,000 - 7,000

Zhang Xiaogang

The Big Family (from Bloodline Portfolio), 2006

Limited Edition Print

Lithograph

GBP 5,000 - 6,000

Zhang Xiaogang

Brother And Sister (from Bloodline Portfolio), 2006

Limited Edition Print

Lithograph

GBP 3,000 - 5,000

Zhang Xiaogang

Identity Portrait, 2003

Limited Edition Print

Lithograph

EUR 1,650

Zhang Xiaogang

Big Family, 2006

Limited Edition Print

Lithograph

EUR 10,500

Zhang Xiaogang

Amnesia And Memory, 2009

Limited Edition Print

Lithograph

USD 8,950

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What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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