Sam Francis

Untitled, 1984

106.7 X 73 inch

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ghana

ghana

Ghana's contemporary art scene brims with creativity, reflecting its rich traditions and current realities. Accra's Gallery 1957 and the annual Chale Wote Street Art Festival offer platforms for artists' expression. El Anatsui, renowned for his bottle-cap tapestries, and Serge Attukwei Clottey, noted for his performance and plastic works, exemplify Ghana's artistic dynamism. Explore Ghana's contemporary art at Composition Gallery's website.

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El Anatsui

Black & Silver, 2018

Limited Edition Print

Pigment print

USD 18,000

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Décollage

Décollage is an art technique involving the removal, cutting, or tearing away of parts of an original image. The term comes from the French word meaning to take off or to unstick. Artists use this method to challenge or replace existing values, often symbolically tearing away influences from media or conventional thinking.

Xiamen Dada

Xiamen Dada was a Chinese artist group based in Xiamen, a city on China’s southeast coast. Emerging in the 1980s, the group explored the relationship between Chan Buddhism and European Dada, embracing absurdity and the use of chance in the creation of their artworks. Xiamen Dada sought to challenge conventional artistic norms, blending Eastern philosophy with the avant-garde practices of Dada, and became known for their provocative and unconventional approach to art.

Stuckism

Stuckism is an art movement that promotes figurative painting over conceptual art. It was founded in 1999 by Charles Thomson and Billy Childish with an initial group of 13 artists in Britain. The movement has since expanded to 52 countries with 233 groups worldwide. Several manifestos, issued by Thomson and Childish, advocate for the spirit of modernism and the creation of spiritual art, regardless of medium, subject matter, or style. Stuckism emphasizes the importance of genuine expression and rejects the dominance of conceptual art in the contemporary art scene.

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