What is a C-print?
A C-type print, also known as a chromogenic print, is a photographic print made from a color negative or slide. The print is created on chromogenic paper, which contains three emulsion layers, each sensitized to a different primary color. After exposure, the paper is processed in a series of chemical baths, where each layer reacts to the chemicals to produce the final image. C-type prints are known for their rich color depth and are widely used in fine art and commercial photography.
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ARTWORKS RELATED TO C-PRINT
Robert Rauschenberg
Studies for Chinese Summerhall, Painted Lamp, 1983
Photography
C-Print
EUR 15,500
Vik Muniz
Oedipus and Sphinx, after Jean Auguste Dominique Ingres (Pictures of Junk), 2006
Photography
C-Print
Currently Not Available
Art Fabrication is a process used in the production of technically challenging or large-scale artworks. It occurs when a designer or artist is unable to fully realize their concept or design on their own and seeks assistance from a fabrication studio. These studios are equipped with specialized machinery, resources, and skilled labor necessary to execute complex art projects to a high standard.
American Abstract Artists (AAA) is an organization founded in New York City in 1936 to promote abstract art and its appreciation in the United States. At a time when abstract art faced strong opposition from critics, the AAA provided crucial exhibition opportunities for abstract artists, helping to foster the growth and acceptance of the movement.
Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.