Sam Francis

Untitled, 1984

106.7 X 73 inch

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What is Carborundum?

What is Carborundum?

Carborundum is the trademark name for silicon carbide crystals, an abrasive material commonly used in sandpaper, cutting tools, and grinding wheels. Originally, artists used carborundum for grinding lithography stones. In collagraph printmaking, it is applied to plates to create texture and tone gradients, adding depth and contrast to the prints.

Image © Muka In Room/Shutterstock

Georg Jiri Dokoupil

Goldblau, 2018

Limited Edition Print

Carborundum

Currently Not Available

Antoni Clave

La Gloire Des Rols I, 1975

Limited Edition Print

Carborundum

EUR 1,250

Otto Piene

Zyklop Gelb, 1984

Limited Edition Print

Carborundum

EUR 2,400

Antoni Clave

Untitled (Textured Remnants), 1970

Limited Edition Print

Carborundum

EUR 1,130

Antoni Clave

El guant, 1971

Limited Edition Print

Carborundum

Currently Not Available

Jasper Johns

Untitled (Faces on purple), 1988

Limited Edition Print

Carborundum

USD 21,000 - 30,000

Jasper Johns

Untitled - Faces (ULAE 243), 1988

Limited Edition Print

Carborundum

USD 41,000 - 45,000

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Contemporary art from India

Contemporary art from India dates from 1985 to the present, marking the post-liberalization era. During this period, artists have felt free to create independently of traditional Hindu or social conventions. They often incorporate distinctly Indian materials and objects in their work, reflecting a blend of modern ideas and cultural heritage.

Kitsch

Kitsch is a term used to describe cheap, commercial, sentimental, or vulgar art and objects commonly associated with popular culture. The word is borrowed from German, where it originally means trash. Since the 1920s, kitsch has been used to denote the opposite of high art, often implying that the work lacks sophistication or artistic merit.

Grupo Ruptura

Grupo Ruptura was an organization formed in Brazil by artists who sought to break away from traditional naturalist painting in favor of geometric abstract art. In the early 1950s, the group published the Ruptura Manifesto, advocating for new art for a new country. The manifesto emphasized a departure from the past and a commitment to innovation, aligning with the modernist vision of Brazil as a forward-looking nation.

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