What is video art?
Video art is an art form that uses video and audio data, primarily featuring moving images. It emerged in the late 1960s and early 1970s with the advent of new technology and consumer video equipment that became accessible beyond corporate broadcasting. Video art can take many forms, including broadcast recordings, installations in museums or galleries, online streamed works, videotapes, and performances incorporating video monitors, television sets, or projections that display live or recorded sounds and images.
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- Established
- Discoveries
ARTWORKS RELATED TO VIDEO ART
Julian Opie
View From My Hotel Room, 2008
Limited Edition Print
Video art
USD 3,970
Julian Opie
View from my bedroom window, 2007
Digital Art
Video art
Inquire For Price
Gary Hill
Commentary , 1980
Digital Art
Video art
EUR 3,000
Gary Hill
Figuring Grounds, 1985
Digital Art
Video art
EUR 900
Ceramics is an art form that involves creating objects from clay. The clay is shaped, molded, and formed by hand or with specialized tools, then baked (or fired) in a high-temperature oven called a kiln. Decorative colors and special glazes can be applied to the surface, which are then fired again to finish the piece.
Réalités Nouvelles means new realities and refers to an exhibiting society founded in 1939 in Paris by Sonia Delaunay. The Salon des Réalités Nouvelles was dedicated to promoting abstract art, which it considered to be a new reality because it does not imitate the existing physical world. The movement emphasized that abstract art creates its own reality, independent of the external world, and played a significant role in the development and recognition of abstract art in the mid-20th century.
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
