What is wood?
Wood is one of the most ancient and versatile materials used in creating art. It has served as a base for paintings, brush handles, pens, and pencils, as well as for easels, wood engraving, woodcut, woodblock printing, and sculpting. Various types of wood, such as oak, maple, and pine, are commonly used in these artistic applications.
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ARTWORKS RELATED TO WOOD
KAWS
Better Knowing, 2023
Sculpture / Object
Wood
GBP 20,000 - 30,000
Jeff Koons
Seated Ballerina, 2015
Sculpture / Object
Wood
EUR 85,000 - 100,000
Stephan Balkenhol
Relief Mann, 2010
Sculpture / Object
Wood
EUR 60,000 - 70,000
Marina Apollonio
Dinamica Circolare Ellisse 6Z, 1969-2022
Sculpture / Object
Wood
EUR 1,500
Joe Tilson
Stele for Dionysos, 1981
Sculpture / Object
Wood
EUR 3,650
Karel Appel
Couple in Wood, 1975
Sculpture / Object
Wood
Currently Not Available
Karel Appel
Flower with Blue Eyes, 1977
Sculpture / Object
Wood
USD 6,990
Marina Apollonio
Dinamica Circolare 6 S+S, 1966-2020
Sculpture / Object
Wood
EUR 3,500
Marina Apollonio
Dinamica Circolare 6B Ruotato, 1968-2020
Sculpture / Object
Wood
EUR 3,500
Josef Felix Müller
Stuhl (Kopf), 1992
Sculpture / Object
Wood
EUR 5,000
Jan De Cock
Construction module Tate Modern M8-D53-14022005 C, 2005
Sculpture / Object
Wood
EUR 10,000
Geneviève Claisse
ADN jaune, 1972-2016
Sculpture / Object
Wood
Currently Not Available
Julian Opie
modern towers, 2018
Sculpture / Object
Wood
EUR 11,000
David Nash
Birch crack and warp column, 1999
Sculpture / Object
Wood
Inquire For Price
David Nash
Tongue and groove stove, 1983
Sculpture / Object
Wood
Inquire For Price
Richard Artschwager
Untitled (Box with drawers), 1971
Sculpture / Object
Wood
Currently Not Available
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Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.
EAT (Experiments in Art and Technology) was a movement formed to foster collaborations between engineers and artists. It facilitated direct, person-to-person connections between these two groups. The movement was originally launched in 1967 by artists Robert Whitman and Robert Rauschenberg, along with engineers Fred Waldhauer and Billy Klüver. EAT carried out various projects and activities that expanded the role of artists in contemporary society, encouraging the integration of art and technology.
