Metal sculpture. Hand-signed in pencil at the bottom and numbered.
Levitation 2 by Rafael Barrios is a 2019 painted metal sculpture that exemplifies the Venezuelan artist’s exploration of perception, balance, and geometric illusion. Composed of four sharply angled magenta forms that appear to hover in space, the sculpture creates a compelling visual tension between stability and movement. Although firmly anchored to a square base, the precisely engineered elements seem to defy gravity, inviting viewers to question their sense of depth and equilibrium. Barrios is internationally recognized for transforming simple geometric volumes into dynamic optical experiences, drawing on the traditions of Kinetic and Constructivist art. Issued in an edition of 20, Levitation 2 demonstrates the artist’s mastery of form, color, and spatial interaction.
Rafael Barrios (Venezuela, 1947) is a renowned sculptor celebrated for his vibrant, geometric works that create striking optical illusions. His sculptures play with perception, making flat forms appear three-dimensional. Barrios’s innovative approach has earned him international acclaim, with his large-scale installations featured in prominent public spaces worldwide.
MetalMetal has been traditionally used in art for creating sculptures, jewelry, masks, adornments, tools, and weapons, often featuring decorative elements. Common types of metal used include bronze, brass, cast iron, gray iron, copper, gold, tin, wrought iron, and silver.
Metal sculpture. Hand-signed in pencil at the bottom and numbered.
Levitation 2 by Rafael Barrios is a 2019 painted metal sculpture that exemplifies the Venezuelan artist’s exploration of perception, balance, and geometric illusion. Composed of four sharply angled magenta forms that appear to hover in space, the sculpture creates a compelling visual tension between stability and movement. Although firmly anchored to a square base, the precisely engineered elements seem to defy gravity, inviting viewers to question their sense of depth and equilibrium. Barrios is internationally recognized for transforming simple geometric volumes into dynamic optical experiences, drawing on the traditions of Kinetic and Constructivist art. Issued in an edition of 20, Levitation 2 demonstrates the artist’s mastery of form, color, and spatial interaction.
Rafael Barrios (Venezuela, 1947) is a renowned sculptor celebrated for his vibrant, geometric works that create striking optical illusions. His sculptures play with perception, making flat forms appear three-dimensional. Barrios’s innovative approach has earned him international acclaim, with his large-scale installations featured in prominent public spaces worldwide.
If gravity was not on our minds, the world would work better.
- Rafael Barrios
Rafael Barrios (b. 1947, Venezuela) is a sculptor and artist known for his innovative approach to monumental sculpture and three-dimensional art. He began his studies at the Museo de Bellas Artes in Caracas, gaining early recognition with the National Youth Painting Award in 1963. Barrios continued his education at the Ontario College of Art in Canada, where he graduated with honors in communication, design, and pure art, followed by studies in Fine Arts and Monumental Sculpture Techniques at New York University. His work is characterized by its dynamic, levity, and strength, often manifesting in large-scale public sculptures that challenge geometric norms. Barrios' sculptures create the illusion of suspended volumes and break traditional orthodox directionality, offering new perceptual possibilities. He has served as Art Director for UNESCO and as a creative consultant for Latin Touch. His profound artistic philosophy is reflected in his statement about the nature of reality and art: "As long as we insist on proposing virtual reality as a representation of universal identity, we are making the same academic mistake..."
New Generation Sculpture was a movement started in the 1960s by a group of British artists. They experimented with unconventional forms, materials, and colors, creating sculptures that did not rely on traditional bases. Their work often featured plastic sheeting, fiberglass, and other industrial materials, which were fastened together and brightly painted.