Roger Ballen’s The Hanging Pig, a gelatin silver print from 2001, presents a haunting, surreal scene that challenges viewers with its stark composition and unsettling subject matter. In the photograph, a pig dangles from a rope against a weathered concrete wall, its form isolated and vulnerable. The surrounding objects—twisted wire mesh and torn papers affixed to the wall—contribute to a sense of desolation and abandonment. Ballen’s distinctive visual language merges documentary and psychological dimensions, often evoking themes of confinement and existential angst. The selenium-toned print intensifies the contrasts, lending the image an otherworldly, almost timeless quality. Limited to an edition of 35, this work encapsulates Ballen's exploration of unsettling imagery that probes the depths of human and animal experience.
Roger Ballen (USA/South Africa, 1950) is a renowned photographer whose haunting black-and-white images explore the human psyche and the surreal. Drawing from psychology and symbolism, his works blend documentary and staged elements, creating unsettling yet poetic visual narratives. Based in South Africa, Ballen's art has influenced contemporary photography and continues to challenge perceptions of reality.
PhotographA silver gelatin print is a type of photographic print made using the silver process. In this process, photographic materials such as black and white films and printing papers are coated with a light-sensitive emulsion of silver salts suspended in gelatin. This emulsion is applied to a support, which could be flexible plastic, glass, resin-coated paper, or baryta paper. The materials are light-sensitive and remain stable under normal storage conditions, making them ideal for long-term preservation.
Roger Ballen’s The Hanging Pig, a gelatin silver print from 2001, presents a haunting, surreal scene that challenges viewers with its stark composition and unsettling subject matter. In the photograph, a pig dangles from a rope against a weathered concrete wall, its form isolated and vulnerable. The surrounding objects—twisted wire mesh and torn papers affixed to the wall—contribute to a sense of desolation and abandonment. Ballen’s distinctive visual language merges documentary and psychological dimensions, often evoking themes of confinement and existential angst. The selenium-toned print intensifies the contrasts, lending the image an otherworldly, almost timeless quality. Limited to an edition of 35, this work encapsulates Ballen's exploration of unsettling imagery that probes the depths of human and animal experience.
Roger Ballen (USA/South Africa, 1950) is a renowned photographer whose haunting black-and-white images explore the human psyche and the surreal. Drawing from psychology and symbolism, his works blend documentary and staged elements, creating unsettling yet poetic visual narratives. Based in South Africa, Ballen's art has influenced contemporary photography and continues to challenge perceptions of reality.
My best pictures are the ones I don’t understand.
- Roger Ballen
Roger Ballen is an American photographer who has lived and worked in South Africa for more than forty years. Over the decades Ballen has developed his own unique style of photography, which has been critically acclaimed even when it has not been particularly understood. He tends shoot most of his stills in black and white, and is never afraid to experiment. Although he has lived in the Johannesburg for such a long time it took over a decade to start taking photographs in South Africa on a notable scale. Indeed his first published book of photographs to be published were those he had taken as a child in his home city of New York and on family stays in London. Ballen has gained a reputation for taking unusual pictures and their uniqueness has made his work stand out from that of others. Critics and viewers alike find his photos fascinating to look at as well as to study, despite not always understanding why these pictures were taken in those ways. He has often used his works to demonstrate the interaction between human beings and the animals that can be found surrounding them. He developed an interest in filming animals whilst he was touring the smaller towns and villages of South Africa whilst he was taking pictures of the people living there. (Artist website)
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.