// The Great Pan is Dead by Scott Treleaven, a mixed media diptych from 2016, is a contemplative exploration of abstract symbolism and subtle textual elements. The left panel features a muted, textured circle and an inverted triangle on a dark, earthy background, evoking a sense of ancient symbolism and mystery. The right panel contrasts with a nearly blank, pale surface, containing faint, handwritten text that reads The Great Pan is Dead, lending a somber and enigmatic tone to the piece. This phrase, historically associated with the decline of ancient paganism, adds depth and an introspective layer to the work. Through minimal forms and barely visible writing, Treleaven’s piece invites viewers to reflect on themes of transformation, loss, and the fading echoes of cultural memory.
Scott Treleaven (Canada, 1972) is a multidisciplinary artist whose work encompasses abstract drawing, painting, sculpture, photography, and collage. Emerging in the late 1990s through experimental films and underground zines, his art explores themes of uncertainty, transformation, and multiplicity, contributing to an alternative, ontologically queer art history.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
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33 X 30 cm
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Edition of 9
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1,800EUR
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// The Great Pan is Dead by Scott Treleaven, a mixed media diptych from 2016, is a contemplative exploration of abstract symbolism and subtle textual elements. The left panel features a muted, textured circle and an inverted triangle on a dark, earthy background, evoking a sense of ancient symbolism and mystery. The right panel contrasts with a nearly blank, pale surface, containing faint, handwritten text that reads The Great Pan is Dead, lending a somber and enigmatic tone to the piece. This phrase, historically associated with the decline of ancient paganism, adds depth and an introspective layer to the work. Through minimal forms and barely visible writing, Treleaven’s piece invites viewers to reflect on themes of transformation, loss, and the fading echoes of cultural memory.
Scott Treleaven (Canada, 1972) is a multidisciplinary artist whose work encompasses abstract drawing, painting, sculpture, photography, and collage. Emerging in the late 1990s through experimental films and underground zines, his art explores themes of uncertainty, transformation, and multiplicity, contributing to an alternative, ontologically queer art history.
I have seen the new face of radicalism, and it is cute.
- Scott Treleaven
Confronting the peripheral reality of living on the fringes of conventional social norms, has been the leading narrative thread of Scott Treleaven's work. His flexible combinations of video, text and sound media, are the template from which he has also gradually developed his hauntingly moving photographs collages and films. Treleaven has never shied away from cross examining his own sexual orientation through his art. Born in 1972 in Toronto Canada, he was a founder and pioneer of the city's 'queercore' underground scene in the mid 1980s, a cultural and artistic movement which explored alternative identity politics and sexual orientations. These themes have remained essential features of Treleaven's work throughout his career, as he has steadily developed thematics of nonconformist eroticism, fetishism, heathenry and underground punk music over the years. He attempts to objectively assess the political and social impact of these collective environments, by presenting their captivating and idealist aspects to the viewer. The influence of independent film making and fanzine culture which Treleaven helped to create and contributed to in his twenties, still permeates the fabric of his paintings and drawings. Through photographic collages and prints, both carefully segmented and reassembled, he depicts the multifaceted arrangements of nature, space and colour. His images articulate his search for a self-determined existence and his continued impertinence, before the pillars of social convention and repression. (Artist website)
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.