Digital print on Conqueror Vergé Pencil paper -
Signed in pencil
Adrian Ghenie's Stéphane Mallarmé, a 2020 digital print, presents a surreal reinterpretation of the famed French poet. The layered collage technique merges fragmented images, combining historical portraiture with abstract elements, resulting in a distorted, dream-like face. This approach reflects Ghenie’s fascination with memory, identity, and the shifting nature of historical figures. By blending soft, classical tones with jarring overlays, the work evokes Mallarmé’s own poetic ambiguity, creating a visual poem that is both unsettling and introspective. The piece, printed on Conqueror Vergé Pencil paper and signed in pencil, captures the fragility and complexity of cultural memory.
Adrian Ghenie (Romania, 1977) is a contemporary painter whose work blends figurative and abstract elements to explore themes of history, memory, and identity. Utilizing a palette knife, he creates dynamic textures and complex compositions. Ghenie co-founded Galeria Plan B in Cluj-Napoca and has exhibited internationally, including representing Romania at the 56th Venice Biennale.
Digital Print on paperDigital print on paper refers to a digital image printed with archival-grade inks on high-quality, acid-free paper. This process ensures the print can last over twenty years if properly stored. The digital file allows for future prints to be made as needed.
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42 X 57 cm
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Edition of 50
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3,700EUR
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Digital print on Conqueror Vergé Pencil paper -
Signed in pencil
Adrian Ghenie's Stéphane Mallarmé, a 2020 digital print, presents a surreal reinterpretation of the famed French poet. The layered collage technique merges fragmented images, combining historical portraiture with abstract elements, resulting in a distorted, dream-like face. This approach reflects Ghenie’s fascination with memory, identity, and the shifting nature of historical figures. By blending soft, classical tones with jarring overlays, the work evokes Mallarmé’s own poetic ambiguity, creating a visual poem that is both unsettling and introspective. The piece, printed on Conqueror Vergé Pencil paper and signed in pencil, captures the fragility and complexity of cultural memory.
Adrian Ghenie (Romania, 1977) is a contemporary painter whose work blends figurative and abstract elements to explore themes of history, memory, and identity. Utilizing a palette knife, he creates dynamic textures and complex compositions. Ghenie co-founded Galeria Plan B in Cluj-Napoca and has exhibited internationally, including representing Romania at the 56th Venice Biennale.
Characterized by vivid reinterpretation of the past, Adrian Ghenie has emerged as a sought after young artist of our time. Born in Romania, Ghenie had brought up his native as well as other cultures' histories for reexamination. Vibrant styles married with his effort to rediscover past have made art connoisseurs to compare him with twentieth century Irish-born English artist Francis Bacon.
Ghenie has used oil on canvas as his preferred media, but he has also produced mixed media, collage, and sketch. His style is participatory in nature, where the viewer would experience the way the art was created. To this end, in his paintings bold strokes of palette knife is visible, revealing the textures.
In his own words, Adrian Ghenie is like a paparazzi for textures as he wants to explore and save the textures of a time period in the artwork. For instance, this process is clearly visible in the 2019 oil on canvas "The Raft," where the viewers get a tour of how the painting was painted. The viewers experience a sense of the artist's thought process when they find a closer look changes the meaning of the subject matter in a very elusive way. Another of his work "Charles Darwin as a Young Man" brings in an influential historic figure, hence Charles Darwin, and explores the implications of his scientific theory, notably the darker side of it. In essence, Ghenie's works are sure to make viewers think and reconsider, whatever the topic is.
Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.