Set of 9 digital prints - size of EACH print is 40.5x23cm
Mokshamudra Progression by Adrian Piper is a limited edition set of 9 digital prints from 2012, with each print measuring 40.5 x 23 cm. This artwork presents a sequence of photographs capturing a hand progressively opening from a closed fist to an open palm. The images are arranged in a linear progression, suggesting a meditative or symbolic release. The title references moksha, a Sanskrit term signifying liberation, commonly associated with spiritual enlightenment. Piper’s piece explores themes of transformation, freedom, and the journey towards release or transcendence. The minimalist yet evocative sequence invites viewers to contemplate personal and spiritual growth, conveyed through the simple, universal gesture of the hand opening.
Adrian Piper (USA, 1948) is a conceptual artist and philosopher renowned for her provocative works addressing identity, race, and social justice. Using mediums like performance, text, and installation, Piper challenges audiences to confront biases and cultural norms. She was the first African-American woman to exhibit at the Venice Biennale in 1989.
Set of 9 digital printsDigital print on paper refers to a digital image printed with archival-grade inks on high-quality, acid-free paper. This process ensures the print can last over twenty years if properly stored. The digital file allows for future prints to be made as needed.
Size
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40.5 X 23 cm
Edition
Edition of 20
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27,000EUR
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Set of 9 digital prints - size of EACH print is 40.5x23cm
Mokshamudra Progression by Adrian Piper is a limited edition set of 9 digital prints from 2012, with each print measuring 40.5 x 23 cm. This artwork presents a sequence of photographs capturing a hand progressively opening from a closed fist to an open palm. The images are arranged in a linear progression, suggesting a meditative or symbolic release. The title references moksha, a Sanskrit term signifying liberation, commonly associated with spiritual enlightenment. Piper’s piece explores themes of transformation, freedom, and the journey towards release or transcendence. The minimalist yet evocative sequence invites viewers to contemplate personal and spiritual growth, conveyed through the simple, universal gesture of the hand opening.
Adrian Piper (USA, 1948) is a conceptual artist and philosopher renowned for her provocative works addressing identity, race, and social justice. Using mediums like performance, text, and installation, Piper challenges audiences to confront biases and cultural norms. She was the first African-American woman to exhibit at the Venice Biennale in 1989.
One reason for making and exhibiting a work is to induce a reaction or change in the viewer.
- Adrian Piper
Adrian Piper is an American Conceptual artist and philosopher. She addresses ostracism, otherness and racism in her work. Adrian received her education at the School of Visual Arts, Harvard University and City College of New York. Adrian Piper became the first African American female philosophy professor to receive an academic tenure. She began a series of street performances in the 70's where she painted her clothes white and wore a sign that read "Wet Paint." She would then go into Macy's department store and shop for gloves and sunglasses. Adrian Piper could also be found riding the bus or subway with a huge white towel stuffed into her mouth or riding the elevator in the Empire State Building covered in a mixture of eggs, milk and cod liver. These Catalysis performances were intended to challenge the order of the social field. In 1973, Adrian Piper began dressing in an afro wig and mustache and would go out in the public as a "third world, working class, overly hostile male." Adrian Piper has received awards for her distinguished body of work and has participated in the central show, "All the World's Futures". (Artist website)
Mail Art is a populist art movement centered on the creation and exchange of small-scale artworks through the postal service. It developed out of the Fluxus movement in the 1950s and 1960s and has since evolved into a global art movement. Ray Johnson is recognized as the first mail artist, and his New York School is considered the first network of mail artists. Mail artists rely heavily on a network to exchange their works, often creating a community of artists connected through the postal system.