// Komposition VI by Almir Mavignier, a limited edition lithograph from 1965, embodies the principles of Op Art with its precise arrangement of dots forming a gradient. The pattern transitions smoothly from dark to light, creating an illusion of depth and a pulsating rhythm as the eye is drawn towards the central glow. Each dot is meticulously placed, demonstrating Mavignier's mastery in manipulating optical effects and spatial perception. This piece, with an edition size of 125, captures the viewer's attention with its dynamic yet balanced composition, showcasing Mavignier's skill in blending mathematics and art to produce a visually immersive experience.
Almir Mavignier (Brazil, 1925–2018) was a pioneer of Op Art and Concrete Art, celebrated for his precise, geometric compositions. Using optical effects and vibrant colors, his works create dynamic visual experiences. Mavignier played a vital role in bridging Brazilian modernism with international art movements, influencing the development of abstract art worldwide.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
// Komposition VI by Almir Mavignier, a limited edition lithograph from 1965, embodies the principles of Op Art with its precise arrangement of dots forming a gradient. The pattern transitions smoothly from dark to light, creating an illusion of depth and a pulsating rhythm as the eye is drawn towards the central glow. Each dot is meticulously placed, demonstrating Mavignier's mastery in manipulating optical effects and spatial perception. This piece, with an edition size of 125, captures the viewer's attention with its dynamic yet balanced composition, showcasing Mavignier's skill in blending mathematics and art to produce a visually immersive experience.
Almir Mavignier (Brazil, 1925–2018) was a pioneer of Op Art and Concrete Art, celebrated for his precise, geometric compositions. Using optical effects and vibrant colors, his works create dynamic visual experiences. Mavignier played a vital role in bridging Brazilian modernism with international art movements, influencing the development of abstract art worldwide.
Born in Brazil, in 1925, Almir Mavignier studied in Germany at the Hochschule für Gestatlung in Ulm. Max Bense’s aesthetics of information and Josef Alber’s studies of colour proportionality have been major influences of Mavignier’s work. The works are mainly considered to be in the Op Art and Abstract genres. He has also worked as a commercial artist. He developed works such as Permutations by creating a pattern from a surface of geometrically ordered points. By using certain combinations of colour, the points form a surface which seems to vibrate. Mavignier has travelled and experienced much of the modern art scene. In 1951, after a solo exhibition in Sao Paulo, he moved to France, and lived in Paris. In 1952, Mavignier changed his location again, moving this time to Ulm in Germany. The year 1954 saw a stylistic development for Mavignier as he created his premier Point-Images. A further development of his style in 1955 saw Mavignier creating Grid-Images. Monochromatic images were first seen in Mavignier’s work in 1957 and in 1958 he co-founded and worked within Group 0, also called Zero Together. Almir Mavignier’s work was exhibited internationally through the 1950’s and 1960’s, with his works shown in the Venice Biennial, at Dokumeta 3 and 4 and at the MoMA in New York. Almir Mavignier has established his personal studio in Hamburg; he also teaches there at the Hochschule fur Bildende Kunst. (Artist website)
Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.