L'Attente by Bengt Lindström, created around 1980, is a vivid and expressive acrylic painting on paper mounted on canvas. The artwork features a bold palette of greens, blues, reds, and yellows that swirl and overlap, creating dynamic textures and movement. Lindström's characteristic brushstrokes are thick and gestural, lending the piece a sense of intensity and emotional depth. The central figure appears abstracted yet retains a discernible face and hands, seemingly caught in a moment of contemplation or waiting, as the title suggests. The heavy use of color and form embodies Lindström's unique expressionistic style, where human figures are imbued with a raw, almost primal energy. This work captures the essence of emotion through powerful color contrasts and fluid lines, reflecting Lindström’s fascination with the human psyche and primal states of being.
Bengt Lindström (Sweden, 1925–2008) was a painter and sculptor celebrated for his bold, vibrant use of color and expressive, distorted faces. Influenced by Nordic mythology and Sámi culture, his dynamic works bridged modern expressionism and folkloric storytelling, cementing his legacy in 20th-century art.
Acrylic on paperAcrylic on paper is a technique that involves using acrylic paints on various paper types and textures. Artists often choose watercolor paper with smooth or rough surfaces to apply acrylics using watercolor techniques such as bleeding, washing, and spattering. This approach allows for a wide range of effects, combining the flexibility of acrylics with the delicate qualities of watercolor methods.
L'Attente by Bengt Lindström, created around 1980, is a vivid and expressive acrylic painting on paper mounted on canvas. The artwork features a bold palette of greens, blues, reds, and yellows that swirl and overlap, creating dynamic textures and movement. Lindström's characteristic brushstrokes are thick and gestural, lending the piece a sense of intensity and emotional depth. The central figure appears abstracted yet retains a discernible face and hands, seemingly caught in a moment of contemplation or waiting, as the title suggests. The heavy use of color and form embodies Lindström's unique expressionistic style, where human figures are imbued with a raw, almost primal energy. This work captures the essence of emotion through powerful color contrasts and fluid lines, reflecting Lindström’s fascination with the human psyche and primal states of being.
Bengt Lindström (Sweden, 1925–2008) was a painter and sculptor celebrated for his bold, vibrant use of color and expressive, distorted faces. Influenced by Nordic mythology and Sámi culture, his dynamic works bridged modern expressionism and folkloric storytelling, cementing his legacy in 20th-century art.
Bengt Lindstrom is an artist from the Lapland area of Sweden. His early life in this place, where it is common to hear of the legends and tales of mystical beings, filled his artwork with a bold presence of color, form, shape, Lapp culture and shamanism. Known as an Impasto painter, his art also includes figurative works with distortion in the faces of his subjects. He has created numerous murals, outdoor paintings, glass and ceramic pieces, sculptures and lithographs. Bengt Lindstrom’s early art took inspiration from the Cubist movement. But after he moved to France, his experimentation with monsters, gods and masks moved his art loosely toward the COBRA group. Bengt Lindstrom saturated pure color palette remained distinct, with intense colors and unblended strokes of paint used throughout many of his pieces. Animal Sacre’ is one example characteristic of his bold paint strokes, intense color palette and figurative yet distorted face. An excellent representative of his outdoor murals is the one painted on the Akkas Dam Hydropower Station. He took part in the 1993 exhibition of glass art, “Grandi Vetri di Murano”. The art work of Bengt Lindstom is displayed in more than 38 major museums around the world. His pieces are also sold by prestigious galleries today. Many art experts consider his early life, lived with the influence of Laplanders, to be the essence and defining core of the entire body of his work. (Artist website)
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.