From Merce Cunningham Dance Company: 50th Anniversary
- Chromogenic print
- Signed, numbered and dated
Candida Höfer’s Theatre Municipal Calais II (2001) is a chromogenic print that offers a glimpse into the behind-the-scenes spaces of an ornate theater. The photograph captures the back of the stage area, with long, heavy curtains in deep blue and red hanging in parallel, creating a sense of depth and rhythm. The juxtaposition of the richly adorned golden architectural details with the more utilitarian backstage elements evokes a contrast between the theatrical illusion and its reality. Höfer’s meticulous composition and use of lighting highlight the interplay of space and texture, offering a contemplative view of the structure and its dualities. This limited edition print is signed, numbered, and dated by the artist.
Candida Höfer (Germany, 1944) is a German photographer renowned for her large-scale color images of empty interiors. Her work focuses on symmetry, the architecture's sense of scale, and proportion. Höfer studied at the Kunstakademie Düsseldorf from 1973 to 1982, first in film with the Danish filmmaker Ole John, then in photography with Bernd and Hilla Becher.
PhotographA photograph is an image captured with a camera. Traditionally, photographs were made by exposing film and then developing the image on light-sensitive paper using chemicals. Today, photographs can also be captured digitally and printed or displayed electronically. The process requires a camera, whether film or digital, and a photographer.
From Merce Cunningham Dance Company: 50th Anniversary
- Chromogenic print
- Signed, numbered and dated
Candida Höfer’s Theatre Municipal Calais II (2001) is a chromogenic print that offers a glimpse into the behind-the-scenes spaces of an ornate theater. The photograph captures the back of the stage area, with long, heavy curtains in deep blue and red hanging in parallel, creating a sense of depth and rhythm. The juxtaposition of the richly adorned golden architectural details with the more utilitarian backstage elements evokes a contrast between the theatrical illusion and its reality. Höfer’s meticulous composition and use of lighting highlight the interplay of space and texture, offering a contemplative view of the structure and its dualities. This limited edition print is signed, numbered, and dated by the artist.
Candida Höfer (Germany, 1944) is a German photographer renowned for her large-scale color images of empty interiors. Her work focuses on symmetry, the architecture's sense of scale, and proportion. Höfer studied at the Kunstakademie Düsseldorf from 1973 to 1982, first in film with the Danish filmmaker Ole John, then in photography with Bernd and Hilla Becher.
I tried color photography and compared the results and found color to provide more for my kind of work.
- Candida Hofer
Candida Hofer is a German photographer. After graduating from the Kolner Werkschulen (Cologne Academy of Fine and Applied Arts), she began her career behind the lens as a portrait photographer for news publications. Hofer honed her skills under the direction of prize winning photographers, the late Bernd and Hilla Becher, who also instructed her contemporaries, including Andreas Gursky, Thomas Ruff and Thomas Struth. Candida Hofer employs a style of snapping color photographs of empty rooms inside public buildings like banks and offices. Arguably, her most famous work is titled: "Zoologische Garten" (Zoological Garden) series, completed in 2001. This project entailed Candida Hofer traveling to zoos across Europe where she photographed wild animals isolated in their cages. Her first significant exhibition occurred at the Konrad Fischer Galerie in 1975. Hofer's work has since been viewed at galleries and museums throughout North America and Europe. Her collections have been featured at famous museums like the Biobliotheque Nationale de France, the J. Paul Getty Museum in Los Angeles, California; and the Museum of Modern Art (MoMa). From 1997 until 2000, Candida Hofer was a Professor at the Hochschule fur Gestaltung (Karlsruhe University of Arts and Design).
The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.