Chu Teh-Chun (China/France, 1920–2014) was a distinguished painter celebrated for integrating traditional Chinese techniques with Western abstract art. His dynamic compositions, often inspired by nature, feature bold brushstrokes and vibrant colors. In 1997, Chu became the first ethnic Chinese member of the Académie des Beaux-Arts in France.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Chu Teh-Chun (China/France, 1920–2014) was a distinguished painter celebrated for integrating traditional Chinese techniques with Western abstract art. His dynamic compositions, often inspired by nature, feature bold brushstrokes and vibrant colors. In 1997, Chu became the first ethnic Chinese member of the Académie des Beaux-Arts in France.
In my paintings, colour and line are never coincidental.
- Chu Teh-Chun
Renowned for his unique style that merged elements of traditional Chinese painting with Western abstract art, Chu Teh-Chun was an artist whose notable works include Lucky Star – an oil on canvas portrait of his wife that was dubbed ‘The Mona Lisa of the East’ by fellow artist, Wu Guanzhong. Initially beginning his artistic career as a figurative painter, Teh-Chun found inspiration from Nicolas De Stael’s abstract landscapes, subsequently developing his own trademark style that features rigorous and technical brushwork as well as bold strokes of colour, reminiscent of Chinese calligraphy. Alongside Zao Wou-Ki and the aforementioned artist, Guanzhong, Teh-Chun was part of an influential trio dubbed the ‘Three Musketeers’, all of whom were elected as members of the French learned society, Académie des Beaux-Arts.
Chinese Contemporary Art is marked by a wide range of styles and experimental approaches. In the 1980s, avant-garde exhibitions were often shut down by government officials. The 1990s saw the rise of political pop and cynical realism, while China's One-Child Policy influenced artists to explore the individual as a subject matter.