// Untitled: (Castor #1 & #2) by Claire Fontaine, a 2013 archival print, captures two thermal-like images of a cargo train in transit, displaying the containers and surrounding environment in intense hues of blue, green, yellow, and red. In the left panel, silhouetted figures appear near the train, suggesting observers or perhaps protesters, while the right panel focuses on a single container with a vivid heat signature. The thermal imaging effect draws attention to themes of surveillance, containment, and environmental or political issues associated with transporting hazardous materials. Fontaine’s diptych invites viewers to reflect on the hidden risks and societal implications of modern logistics and monitoring.
Claire Fontaine (France, 2004) is a collective feminist conceptual artist founded by Fulvia Carnevale and James Thornhill. Adopting the name of a popular French stationery brand, they declare themselves a 'readymade artist,' critiquing authorship and authority through appropriation and expropriation. Their works, including neon signs and installations, address political and social issues, such as the 'Foreigners Everywhere' series exhibited at the 2024 Venice Biennale.
Archival PrintAn archival print refers to a fine art reproduction of museum quality, created using the highest quality materials and methods. These prints are produced on the finest papers and with inks specifically designed to resist color fading over time. Drawings and paintings are reproduced using a fine art printer with exceptionally high resolution, ensuring longevity and preservation of the artwork.
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90 X 120 cm
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Edition of 8
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3,500EUR
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// Untitled: (Castor #1 & #2) by Claire Fontaine, a 2013 archival print, captures two thermal-like images of a cargo train in transit, displaying the containers and surrounding environment in intense hues of blue, green, yellow, and red. In the left panel, silhouetted figures appear near the train, suggesting observers or perhaps protesters, while the right panel focuses on a single container with a vivid heat signature. The thermal imaging effect draws attention to themes of surveillance, containment, and environmental or political issues associated with transporting hazardous materials. Fontaine’s diptych invites viewers to reflect on the hidden risks and societal implications of modern logistics and monitoring.
Claire Fontaine (France, 2004) is a collective feminist conceptual artist founded by Fulvia Carnevale and James Thornhill. Adopting the name of a popular French stationery brand, they declare themselves a 'readymade artist,' critiquing authorship and authority through appropriation and expropriation. Their works, including neon signs and installations, address political and social issues, such as the 'Foreigners Everywhere' series exhibited at the 2024 Venice Biennale.
Claire Fontaine is the collective pseudonym of two artists, Fulvia Carnevale and James Thornhill, who have been working together since 2004. Described as a "readymade artist," Claire Fontaine's work critiques contemporary art, politics, and society through a diverse range of media, including sculpture, installation, video, and text-based art. The collective's practice is deeply rooted in the concept of "political art," often exploring themes of power, alienation, and the commodification of culture. Claire Fontaine frequently employs found objects and readymade materials, recontextualizing them to challenge traditional notions of authorship and creativity. The work is characterized by its conceptual rigor, blending humor with incisive social commentary, and addressing issues such as neoliberalism, consumerism, and the role of the artist in society. Claire Fontaine has become an influential figure in contemporary art, known for pushing the boundaries of political and conceptual art. (Artist website)
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.