// Untitled: (What is freedom?) by Claire Fontaine, a screen print from 2012, presents a series of provocative questions in colorful, bold text against a black background. The questions explore themes of freedom, capitalism, and societal structures, challenging viewers to reflect on concepts like market-driven values, income inequality, and the exclusivity of art. By posing questions such as Is there any possible freedom from the market and its unreasonable rules? and Why is capitalistic libidinal economy not a form of mental illness?, Fontaine interrogates the psychological and social impact of economic systems. The use of a rainbow color scheme juxtaposed with critical content emphasizes the tension between idealism and the stark realities of contemporary life.
Claire Fontaine (France, 2004) is a collective feminist conceptual artist founded by Fulvia Carnevale and James Thornhill. Adopting the name of a popular French stationery brand, they declare themselves a 'readymade artist,' critiquing authorship and authority through appropriation and expropriation. Their works, including neon signs and installations, address political and social issues, such as the 'Foreigners Everywhere' series exhibited at the 2024 Venice Biennale.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
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120 X 90 X 1 cm
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Edition of 16 + IV AP
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2,500EUR
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// Untitled: (What is freedom?) by Claire Fontaine, a screen print from 2012, presents a series of provocative questions in colorful, bold text against a black background. The questions explore themes of freedom, capitalism, and societal structures, challenging viewers to reflect on concepts like market-driven values, income inequality, and the exclusivity of art. By posing questions such as Is there any possible freedom from the market and its unreasonable rules? and Why is capitalistic libidinal economy not a form of mental illness?, Fontaine interrogates the psychological and social impact of economic systems. The use of a rainbow color scheme juxtaposed with critical content emphasizes the tension between idealism and the stark realities of contemporary life.
Claire Fontaine (France, 2004) is a collective feminist conceptual artist founded by Fulvia Carnevale and James Thornhill. Adopting the name of a popular French stationery brand, they declare themselves a 'readymade artist,' critiquing authorship and authority through appropriation and expropriation. Their works, including neon signs and installations, address political and social issues, such as the 'Foreigners Everywhere' series exhibited at the 2024 Venice Biennale.
Claire Fontaine is the collective pseudonym of two artists, Fulvia Carnevale and James Thornhill, who have been working together since 2004. Described as a "readymade artist," Claire Fontaine's work critiques contemporary art, politics, and society through a diverse range of media, including sculpture, installation, video, and text-based art. The collective's practice is deeply rooted in the concept of "political art," often exploring themes of power, alienation, and the commodification of culture. Claire Fontaine frequently employs found objects and readymade materials, recontextualizing them to challenge traditional notions of authorship and creativity. The work is characterized by its conceptual rigor, blending humor with incisive social commentary, and addressing issues such as neoliberalism, consumerism, and the role of the artist in society. Claire Fontaine has become an influential figure in contemporary art, known for pushing the boundaries of political and conceptual art. (Artist website)
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.