Arman (Fernandez) (France/USA, 1928–2005) was a leading figure in Nouveau Réalisme, known for his assemblages of everyday objects. His works, such as Accumulations and Poubelles, transformed discarded items into powerful art, challenging consumerism and material culture. Arman’s innovative approach redefined sculpture and established him as a pioneer in contemporary art.
Silkscreen Silkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Arman (Fernandez) (France/USA, 1928–2005) was a leading figure in Nouveau Réalisme, known for his assemblages of everyday objects. His works, such as Accumulations and Poubelles, transformed discarded items into powerful art, challenging consumerism and material culture. Arman’s innovative approach redefined sculpture and established him as a pioneer in contemporary art.
Design is more of a kitchen than a knife, and more of a lab than a beaker.
- Fernandez Arman
In his career as an artist, Armand Fernandez has become internationally known as Arman. He decided to sign his artworks with just his first name and then removed the final letter after a 1958 printing error. His work was always influenced by the Dada movement and he was later to make an impact on the Pop Art movement. Fernandez / Arman studied art history at the Louvre in Paris and attended the National School of Decorative Arts in Nice. He began by creating abstract paintings and also made use of found objects, fabric pieces and postage stamps. These assemblages were displayed together in 1954 at his first solo show in Paris. In 1960 he signed up to the New Realism manifesto and began to focus on more ways to turn commonplace discarded objects into art. His exhibition at the Iris Clert Gallery in 1960 was an installation called Full Up, which filled all the gallery space with trash. Another technique involved breaking up manufactured objects to mount on wood panels after reassembling. He also displayed familiar objects that had been sliced up and he exhibited the burnt remains of items that he had set on fire. His strategy of piling a number of found objects on top of each other led to art commissions from the Renault car company. In 1970 he displayed a number of works made from car parts at the World Fair in Osaka. In 1982 he created Long Term Parking, a monumental public sculpture 50 feet high, made from cars encased in a column of concrete. He received a commission in 1995 from the Lebanese leader to create a peace monument for Beirut. Hope for Peace, which stands outside the headquarters of the Lebanese Army, is made from armored tanks and military vehicles with gun barrels pointing upwards. (Artist website)
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.