Signed Arman. Also signed and numbered on label verso. Published by Harlen Associated Limited. Iron and wood mounted on plywood, 97 x 76 cm including frame.
Cavaquinho by Arman Fernandez, created in 2002, is a sculptural composition featuring multiple miniature guitar-like shapes arranged in a layered, overlapping manner. Made from iron and wood, each instrument’s body is rendered in warm, earthy tones, contrasting against a dark background. The repeated guitars, with their necks and frets aligned in varying directions, convey movement and rhythm, reminiscent of music itself. This piece exemplifies Arman's fascination with musical instruments as a motif, using repetition and assemblage to celebrate the essence of sound and rhythm in visual form, evoking a lively, harmonious interplay.
Arman (Fernandez) (France/USA, 1928–2005) was a leading figure in Nouveau Réalisme, known for his assemblages of everyday objects. His works, such as Accumulations and Poubelles, transformed discarded items into powerful art, challenging consumerism and material culture. Arman’s innovative approach redefined sculpture and established him as a pioneer in contemporary art.
MetalMetal has been traditionally used in art for creating sculptures, jewelry, masks, adornments, tools, and weapons, often featuring decorative elements. Common types of metal used include bronze, brass, cast iron, gray iron, copper, gold, tin, wrought iron, and silver.
Signed Arman. Also signed and numbered on label verso. Published by Harlen Associated Limited. Iron and wood mounted on plywood, 97 x 76 cm including frame.
Cavaquinho by Arman Fernandez, created in 2002, is a sculptural composition featuring multiple miniature guitar-like shapes arranged in a layered, overlapping manner. Made from iron and wood, each instrument’s body is rendered in warm, earthy tones, contrasting against a dark background. The repeated guitars, with their necks and frets aligned in varying directions, convey movement and rhythm, reminiscent of music itself. This piece exemplifies Arman's fascination with musical instruments as a motif, using repetition and assemblage to celebrate the essence of sound and rhythm in visual form, evoking a lively, harmonious interplay.
Arman (Fernandez) (France/USA, 1928–2005) was a leading figure in Nouveau Réalisme, known for his assemblages of everyday objects. His works, such as Accumulations and Poubelles, transformed discarded items into powerful art, challenging consumerism and material culture. Arman’s innovative approach redefined sculpture and established him as a pioneer in contemporary art.
Design is more of a kitchen than a knife, and more of a lab than a beaker.
- Fernandez Arman
In his career as an artist, Armand Fernandez has become internationally known as Arman. He decided to sign his artworks with just his first name and then removed the final letter after a 1958 printing error. His work was always influenced by the Dada movement and he was later to make an impact on the Pop Art movement. Fernandez / Arman studied art history at the Louvre in Paris and attended the National School of Decorative Arts in Nice. He began by creating abstract paintings and also made use of found objects, fabric pieces and postage stamps. These assemblages were displayed together in 1954 at his first solo show in Paris. In 1960 he signed up to the New Realism manifesto and began to focus on more ways to turn commonplace discarded objects into art. His exhibition at the Iris Clert Gallery in 1960 was an installation called Full Up, which filled all the gallery space with trash. Another technique involved breaking up manufactured objects to mount on wood panels after reassembling. He also displayed familiar objects that had been sliced up and he exhibited the burnt remains of items that he had set on fire. His strategy of piling a number of found objects on top of each other led to art commissions from the Renault car company. In 1970 he displayed a number of works made from car parts at the World Fair in Osaka. In 1982 he created Long Term Parking, a monumental public sculpture 50 feet high, made from cars encased in a column of concrete. He received a commission in 1995 from the Lebanese leader to create a peace monument for Beirut. Hope for Peace, which stands outside the headquarters of the Lebanese Army, is made from armored tanks and military vehicles with gun barrels pointing upwards. (Artist website)
A found object is a term used to describe a man-made or natural object, or a fragment of one, that an artist discovers or purchases and keeps for inspiration or as a work of art. The artist may also modify the object or incorporate it into a collage or assemblage, transforming it into a new piece of art.