Fernando Bryce's Portfolio INRA (2009) is a collection of five lithographs printed on aluminum plates, examining themes of media, propaganda, and historical narratives. Each piece in the series is rendered in black and white, replicating covers and imagery from publications such as Life and Américas, with a focus on Latin American and Asian socio-political themes. Bryce’s meticulous reproductions capture the style and tone of mid-20th-century media, inviting viewers to reflect on how information and cultural perceptions are shaped by printed material. This portfolio critically engages with history and memory, subtly questioning the authenticity and impact of mass media.
Fernando Bryce (Peru, 1965) is a contemporary artist celebrated for his meticulous ink drawings that reexamine historical events through print media. Using a method he calls 'mimetic analysis,' Bryce recreates archival materials like advertisements and propaganda to explore themes of memory, representation, and the construction of history.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
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50 X 38 cm
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Edition of 40
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3,000EUR
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5 Lithographs on aluminum plates
Fernando Bryce's Portfolio INRA (2009) is a collection of five lithographs printed on aluminum plates, examining themes of media, propaganda, and historical narratives. Each piece in the series is rendered in black and white, replicating covers and imagery from publications such as Life and Américas, with a focus on Latin American and Asian socio-political themes. Bryce’s meticulous reproductions capture the style and tone of mid-20th-century media, inviting viewers to reflect on how information and cultural perceptions are shaped by printed material. This portfolio critically engages with history and memory, subtly questioning the authenticity and impact of mass media.
Fernando Bryce (Peru, 1965) is a contemporary artist celebrated for his meticulous ink drawings that reexamine historical events through print media. Using a method he calls 'mimetic analysis,' Bryce recreates archival materials like advertisements and propaganda to explore themes of memory, representation, and the construction of history.
The document is part of the past, whereas the art is something new. The original is being put in relief and there is a sense of transformation.
- Fernando Bryce
Peruvian born Fernando Bryce, is a contemporary artist that received his formal education art institutes in both Lima and Paris. His main preferred medium to work with is sumi ink on paper, which typically are modestly sized and no larger than a movie poster. Most of his works involves having a series of paintings all sharing a common motif such as the works The Book of Needs and Arte Nuevo. This celebrated artist has had numerous group and solo exhibitions worldwide and has received large amounts of critical acclaim. Bryce's works typically have themes focusing on politics and media, and how the two interact with each other. The content of his paintings shows the use of propaganda in news articles and occasionally in advertising. Fernando Bryce says that his motivation for his work comes from his time as a young child in Peru, where newspapers were often used for educational purposes. Fernando Bryce's work, which is often referred to as Archive Studies, are reproductions of real literature such as newspapers, pamphlets and magazines that he creates in a style that he calls "mimetic analysis." Though painted by hand, many of his works look exactly like real newspapers that were printed during various historical events. He is also known to paint portraits of famous figures in the same newspaper like appearance that are on the borderline with comic strips. Fernando Bryce is currently based out of both New York and Lima and has been producing works that have been featured in solo exhibits consistently since 2011 which is when he had his first one man show.
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.