Sandback, Fred | Twenty-two Constructions from 1967 (Jahn 113-134), 1967 — available on Composition Gallery

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// Twenty-two Constructions from 1967 (Jahn 113-134) by Fred Sandback is a minimalist lithograph from 1967, illustrating Sandback’s signature focus on line and space. The artwork features a simple linear form—a thin, elongated parallelepiped—rendered in white against a muted blue background. Sandback’s restrained style emphasizes the conceptual exploration of spatial boundaries and perception, inviting viewers to engage with the volume and form implied by minimal gestures. This piece reflects Sandback’s dedication to the principles of Minimalism, where less is more, and form is conveyed with the utmost simplicity.

Fred Sandback (USA, 1943–2003) was a minimalist sculptor celebrated for his delicate yarn installations that defined space with simple lines. Using only acrylic yarn, Sandback created an illusion of volume and architectural form, influencing perceptions of sculpture and spatial art. His works are housed in prestigious collections worldwide, including MoMA and Dia:Beacon.

Fred Sandback

Twenty-two Constructions from 1967 (Jahn 113-134), 1967

Name: Twenty-two Constructions from 1967 (Jahn 113-134), 1967
SKU: 10806

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Lithograph

Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.

Edition

Edition of 35 + 5 AP

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Fred Sandback

Twenty-two Constructions from 1967 (Jahn 113-134), 1967

Limited Edition Print

Lithograph

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Fred Sandback used his love of nature to create Minimalist sculptures that highlighted space. He was a multifaceted Minimalist who allowed space to have as much importance in his sculptures as volume and mass.

Earlier in his career, he used metal and elastic cords. Later he began using acrylic yarn. The yarn allowed him to create sculptures with what he called "pedestrian space." He was able to focus on creating works that were stretched in space to address their surroundings.

Sandback's sculptures distorted the spaces they were in. He would stretch lengths of yarn horizontally, vertically, or diagonally at different scales and in varied configurations to create the distorted effect. His sculptures would look like they were leaning or like they were impossible to create with any tension or tools.

The subtlety of Sandback's choice of material allows the spaces between the lines to become as visible as the lines themselves. Sandback said, "The line is a whole, an identity, for a particular place and time." (artist website).

Artwork by Eduardo Chillida

What is abstract art?

Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

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Fred Sandback

Twenty-two Constructions from 1967 (Jahn 113-134), 1967

27.8 x 21 cm

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Fred Sandback