Diasec-mounted chromogenic print on aluminium composite panel. Numbered and stamped on the verso, not signed.
Veils of dragged pigment shimmer across this large, luminous abstraction, where silvery greys dissolve into acid greens, ochre and soft plum. A suggested horizon hovers midway, the lower field reading like still water beneath a dissolving sky, Richter's signature blur carried from canvas into a diasec-mounted chromogenic print on aluminium. Numbered and stamped on the verso, it belongs to the late printmaking practice of one of the most important living artists. Mounted for contemporary presentation, P2 Haggadah delivers Richter's inimitable balance of chance and control at commanding scale, a museum-quality and future-proof acquisition.
Gerhard Richter (Germany, 1932) is a celebrated contemporary artist, blending photorealism, abstraction, and conceptual art. Known for his blurred photo-paintings and vivid abstracts, his works challenge perception and memory. Richter's art features in top institutions, including MoMA and Tate Modern, solidifying his influence on modern visual culture.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Diasec-mounted chromogenic print on aluminium composite panel. Numbered and stamped on the verso, not signed.
Veils of dragged pigment shimmer across this large, luminous abstraction, where silvery greys dissolve into acid greens, ochre and soft plum. A suggested horizon hovers midway, the lower field reading like still water beneath a dissolving sky, Richter's signature blur carried from canvas into a diasec-mounted chromogenic print on aluminium. Numbered and stamped on the verso, it belongs to the late printmaking practice of one of the most important living artists. Mounted for contemporary presentation, P2 Haggadah delivers Richter's inimitable balance of chance and control at commanding scale, a museum-quality and future-proof acquisition.
Gerhard Richter (Germany, 1932) is a celebrated contemporary artist, blending photorealism, abstraction, and conceptual art. Known for his blurred photo-paintings and vivid abstracts, his works challenge perception and memory. Richter's art features in top institutions, including MoMA and Tate Modern, solidifying his influence on modern visual culture.
Now that we do not have priests and philosophers any more, artists are the most important people in the world.
- Gerhard Richter
Gerhard Richter (b. 1932 Germany) is one of the most influential and versatile contemporary artists, known for his extensive body of work that spans painting, photography, and sculpture. Richter’s work is characterized by its exploration of the relationship between realism and abstraction, often blurring the boundaries between the two. He is renowned for his "photo-paintings," in which he meticulously replicates black-and-white photographs in oil paint, creating a soft-focus effect that questions the nature of reality and perception. Richter has also created a series of abstract paintings known for their vibrant colors and textured surfaces, achieved through a process of layering and scraping away paint. His ability to move seamlessly between styles and mediums, from photorealism to pure abstraction, has made him a key figure in post-war art. Richter’s work has been exhibited in major museums and galleries worldwide, and he is considered one of the greatest living painters, with his works commanding some of the highest prices in the contemporary art market. (Artist website)
Photorealism is a genre of art or artistic movement that involves drawing, painting, and other graphic media in which the artist carefully studies a photograph and attempts to reproduce it as realistically as possible in another medium. While the term can broadly describe any artwork created in this manner, it specifically refers to a group of painters and paintings in the U.S. art movement that emerged in the late 1960s and early 1970s.