Etching with silver chine collé. Signed by the artist on the front, numbered on the reverse.
Stacked in the manner of a battered vintage Penguin paperback, heavy capitals on weathered silver-chine-collé spell TONIGHT WE MAKE HISTORY; a thin band of P.S. crosses below; the lower field, sanded and scuffed, holds the wry parenthetical (I can't be there). Miller's faux-cover painting becomes a wittily melancholic monument. Etching with silver chine collé, signed by the artist on the front, numbered on the reverse. A definitive late-2010s Miller — among the most desirable wry-text acquisitions for collectors of contemporary British print.
Harland Miller (British, 1964) is known for his large-scale paintings inspired by vintage Penguin book covers. Blending satire, text, and abstraction, his works play with nostalgia and British pop culture. Miller combines literary references with bold typography, creating a unique crossover between visual art and literature.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Etching with silver chine collé. Signed by the artist on the front, numbered on the reverse.
Stacked in the manner of a battered vintage Penguin paperback, heavy capitals on weathered silver-chine-collé spell TONIGHT WE MAKE HISTORY; a thin band of P.S. crosses below; the lower field, sanded and scuffed, holds the wry parenthetical (I can't be there). Miller's faux-cover painting becomes a wittily melancholic monument. Etching with silver chine collé, signed by the artist on the front, numbered on the reverse. A definitive late-2010s Miller — among the most desirable wry-text acquisitions for collectors of contemporary British print.
Harland Miller (British, 1964) is known for his large-scale paintings inspired by vintage Penguin book covers. Blending satire, text, and abstraction, his works play with nostalgia and British pop culture. Miller combines literary references with bold typography, creating a unique crossover between visual art and literature.
Harland Miller (b. 1964 UK) is a British artist and writer best known for his large-scale paintings that blend Text-based art, Pop Art, and literary references. Drawing inspiration from classic Penguin book covers, Miller uses wit and irony to explore themes of identity, melancholy, and British culture. His works often feature bold typography paired with imagined titles, creating a bridge between visual art and literature. Influenced by both modernist design and the conceptual strategies of the YBAs, Miller’s paintings evoke nostalgia while questioning authorship and meaning. His background as a novelist adds depth to his practice, allowing him to infuse language with emotional weight and humor. Miller's distinctive fusion of word and image has made him a unique figure in contemporary British painting.
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.