Hand-painted mirror, LED light, wood, glass paint, glass, mirror, one-way mirror and electric energy.
Signed on a sticker label.
Iván Navarro’s Mist II (Version 1) (2020) is a mesmerizing light installation that explores perception, illusion, and the interplay between materiality and energy. Encased within a black wooden frame, the work features a radiant, multidimensional explosion of LED lights, mirrors, and reflective surfaces, creating a hypnotic sense of infinite depth. The dynamic interplay of colors and light suggests movement, evoking celestial phenomena, fireworks, or the pulsating rhythm of electrical currents—an ongoing theme in Navarro’s work.
By manipulating mirrors and LED technology, Navarro invites viewers into an optical space that feels boundless yet contained, challenging the perception of physical and metaphysical limits. This unique piece exemplifies his ability to transform light into an immersive experience, blurring the line between sculpture, installation, and conceptual art.
Iván Navarro (Chile, 1972) is a contemporary artist renowned for his innovative use of light, mirrors, and neon to create thought-provoking sculptures and installations. His works often explore themes of power, control, and social issues, reflecting his experiences growing up under Chile's military dictatorship. Navarro's art challenges perceptions of space and reality, engaging viewers in a dialogue about political and social structures.
Installation Installation art is a three-dimensional artistic genre that involves site-specific works designed to alter the viewer's perception of space. These works are typically created for interior spaces, such as museums and galleries, but can also be found in private and public locations. Installation art can be temporary or permanent, depending on its purpose and setting.
Hand-painted mirror, LED light, wood, glass paint, glass, mirror, one-way mirror and electric energy.
Signed on a sticker label.
Iván Navarro’s Mist II (Version 1) (2020) is a mesmerizing light installation that explores perception, illusion, and the interplay between materiality and energy. Encased within a black wooden frame, the work features a radiant, multidimensional explosion of LED lights, mirrors, and reflective surfaces, creating a hypnotic sense of infinite depth. The dynamic interplay of colors and light suggests movement, evoking celestial phenomena, fireworks, or the pulsating rhythm of electrical currents—an ongoing theme in Navarro’s work.
By manipulating mirrors and LED technology, Navarro invites viewers into an optical space that feels boundless yet contained, challenging the perception of physical and metaphysical limits. This unique piece exemplifies his ability to transform light into an immersive experience, blurring the line between sculpture, installation, and conceptual art.
Iván Navarro (Chile, 1972) is a contemporary artist renowned for his innovative use of light, mirrors, and neon to create thought-provoking sculptures and installations. His works often explore themes of power, control, and social issues, reflecting his experiences growing up under Chile's military dictatorship. Navarro's art challenges perceptions of space and reality, engaging viewers in a dialogue about political and social structures.
I do not believe there are strategies for Artistic Success.
- Ivan Navarro
Iván Navarro is a conceptual artist from Santiago, Chile, who works with light, electricity, and mirrors to create politically charged sculptures. He is best known for his use of fluorescent lights. Due to his use of light bulbs, Iván Navarro’s work invites comparison with the Minimalism movement, particularly the work of Dan Flavin. However, Navarro’s work is conceptually different from Minimalism and does not belong to a specific movement. Iván Navarro lived under the Chilean dictatorship and his work reflects the psychological anxiety of living under a corrupt and controlling regime. One of his early and best known works, You Sit, You Die, is a chair made of white fluorescent bulbs. This piece is Iván Navarro’s version of an electric chair, in reference to how the Chilean government used electricity as a means of torture, and also in response to executions in the United States. The chair included names of all prisoners executed in the state of Florida and was held together with shoelaces, which were items forbidden to prisoners due to fear that they would hang themselves. Although Iván Navarro’s explores suffering and oppression, his use of light in his sculptures is also an attempt to represent hope and truth. (Artist website)
Contemporary art refers to avant-garde or innovative art created in the recent past or present day. The exact starting point of contemporary art varies depending on the institution, often tied to the founding year of museums or galleries that showcase the style. Contemporary art is characterized by its focus on current ideas, diverse media, and the exploration of new concepts and techniques.