// Roda tergiversada amb quatre forats by James Siena is a limited edition etching from 2013, created as part of an edition of 35. This intricate work displays a continuous, labyrinthine pattern of interlocking, curling lines arranged in a structured yet organic flow. The red, undulating form loops and twists across a central space, forming an almost maze-like shape with intentional gaps, referred to in the title as “four holes.” Siena’s work often explores complexity within repetition, and this piece exemplifies his precision and attention to detail. The design draws the eye along its winding path, offering a sense of movement and depth in its meticulously etched curves.
James Siena (United States, 1957) is a contemporary artist celebrated for his intricate, rule-based abstractions. Employing self-imposed constraints, he creates complex patterns across mediums such as painting, printmaking, and sculpture. Siena's work is featured in prominent collections, including the Museum of Modern Art and the Whitney Museum of American Art.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Size
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52 X 47 cm
Edition
Edition of 35
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1,200EUR
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// Roda tergiversada amb quatre forats by James Siena is a limited edition etching from 2013, created as part of an edition of 35. This intricate work displays a continuous, labyrinthine pattern of interlocking, curling lines arranged in a structured yet organic flow. The red, undulating form loops and twists across a central space, forming an almost maze-like shape with intentional gaps, referred to in the title as “four holes.” Siena’s work often explores complexity within repetition, and this piece exemplifies his precision and attention to detail. The design draws the eye along its winding path, offering a sense of movement and depth in its meticulously etched curves.
James Siena (United States, 1957) is a contemporary artist celebrated for his intricate, rule-based abstractions. Employing self-imposed constraints, he creates complex patterns across mediums such as painting, printmaking, and sculpture. Siena's work is featured in prominent collections, including the Museum of Modern Art and the Whitney Museum of American Art.
The assumptions that viewers make when they first look at a picture are contradicted by direct examination.
- James Siena
James Siena is a contemporaryabstract artist whose works are geometrical and graphic in nature. The complex patterns of his works emerge from 'visual algorithms' that are presets to his designs. He work in a variety of media including painting, sculpture, lithography, etching, woodcut, bronze-work, engraving, enameling and drawing. Siena's initial inspiration emerged from Artificial Intelligence, over the years he has moved on to explore the visual tropes of labyrinths and puzzles, playing with the machine-like movement of moving through a work of art. James Siena's aesthetic is expressed through bold colors and repetitive patterns that connect with post-industrial abstractions and play with human perception. Dynamic in their style, James Siena seeks to make highly charged works that engage the viewer with their intricacy and complexity. James Siena cites Rube Goldberg as an early influence, admiring his cartoons of complex machines that performed basic tasks, seeing his own works as two-dimensional machines. Works such as Battery(1997) and Dr. Michelle Carlson (2011-201) are intense patterns that border on optical illusion. Other works such as theLogic Package Sequence series are linear works that resemble flow charts. His sculptures are 3D manifestations of his signature geometrical shapes, with James Siena's bronze-works recalling endless tube formation. Siena's works are visually stunning in both their organic and mathematically precise renderings of shape and form.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.