Carved wooden sculpture, hand-painted with oil paints in colours
- Signed, numbered and dated on the underside
Seated Ballerina by Jeff Koons is a hand-painted carved wooden sculpture created in 2015. The piece depicts a delicate ballerina, seated on an ornate stool, adjusting her ballet slipper. The soft pastel tones of blue, pink, and white bring a gentle, almost dreamlike quality to the figure, while the detailed carving and oil paint create a lifelike appearance. Koons’ work often explores themes of beauty, innocence, and mass culture, and this sculpture is no exception. The poised and reflective posture of the ballerina contrasts with the whimsical, toy-like style, making it a compelling blend of high art and pop aesthetics. This piece is signed, numbered, and dated on the underside, part of a limited edition of 50 plus 10 artist proofs.
Jeff Koons (USA, 1955) is a globally recognized contemporary artist known for his large-scale sculptures and works that merge pop culture with fine art. His iconic pieces, like the 'Balloon Dog' series, employ industrial materials and high-gloss finishes, challenging ideas of consumerism, taste, and art’s accessibility.
WoodWood is one of the most ancient and versatile materials used in creating art. It has served as a base for paintings, brush handles, pens, and pencils, as well as for easels, wood engraving, woodcut, woodblock printing, and sculpting. Various types of wood, such as oak, maple, and pine, are commonly used in these artistic applications.
Carved wooden sculpture, hand-painted with oil paints in colours
- Signed, numbered and dated on the underside
Seated Ballerina by Jeff Koons is a hand-painted carved wooden sculpture created in 2015. The piece depicts a delicate ballerina, seated on an ornate stool, adjusting her ballet slipper. The soft pastel tones of blue, pink, and white bring a gentle, almost dreamlike quality to the figure, while the detailed carving and oil paint create a lifelike appearance. Koons’ work often explores themes of beauty, innocence, and mass culture, and this sculpture is no exception. The poised and reflective posture of the ballerina contrasts with the whimsical, toy-like style, making it a compelling blend of high art and pop aesthetics. This piece is signed, numbered, and dated on the underside, part of a limited edition of 50 plus 10 artist proofs.
Jeff Koons (USA, 1955) is a globally recognized contemporary artist known for his large-scale sculptures and works that merge pop culture with fine art. His iconic pieces, like the 'Balloon Dog' series, employ industrial materials and high-gloss finishes, challenging ideas of consumerism, taste, and art’s accessibility.
Art was something I could do better. It gave me a sense of self.
- Jeff Koons
Highly acclaimed for his works pertaining to popular culture, Jeff Koons is a contemporary artist best known for his kitschy sculptures, created in stainless steel and often finished with a shiny, mirror-like surface as evidenced in one of his most popular works, Rabbit. Koons’ appropriation of popular consumer objects is driven by his desire to create inclusive art, he has previously explained “I try to create work that doesn’t make viewers feel they are being spoken down to, so they feel open participation”. As a sculptor, Koons has employed a number of materials including wood, gold-leaf, porcelain, and flowers – Puppy, a 43ft tall sculpture comprised of stainless steel, was finished with a surface of various flowers such as Petunias, Begonias and Marigolds, all of which would grow for the exact amount of time that the work was exhibited. Koons drew much influence for his art from his time studying in Chicago, he was particularly inspired by the works of Chicagoan artists Ed Paschke and Jim Nutt. (Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.