The complete set of four c-prints, on matt photo paper mounted to mount board (as issued). All prints signed, annotated 'A'-'D' respectively and numbered in black marker on the reverse
Close Contact by Jenny Saville, a set of four C-prints from 2002, delves into the raw and corporeal aspects of the human body, challenging conventional ideas of beauty and form. Each image presents close-up perspectives of the female form, with exaggerated and distorted flesh, as hands press and manipulate the skin in a tactile exploration of texture and weight. Saville’s focus on the body as a visceral, almost sculptural entity emphasizes both vulnerability and strength, with a focus on the physicality that is often hidden or minimized in mainstream representations. The work invites viewers to confront their perceptions of the body, as Saville's intense, almost confrontational approach to depicting flesh and form imbues each piece with an unsettling yet compelling intimacy. This set, part of a limited edition of 25, showcases Saville’s commitment to exploring the complexity of human form with unflinching realism.
Jenny Saville (United Kingdom, 1970) is a contemporary painter renowned for her large-scale depictions of the female form. A member of the Young British Artists, she challenges traditional representations of the body through her expressive brushwork and exploration of flesh. Her work is featured in major collections worldwide.
C-PrintA C-type print, also known as a chromogenic print, is a photographic print made from a color negative or slide. The print is created on chromogenic paper, which contains three emulsion layers, each sensitized to a different primary color. After exposure, the paper is processed in a series of chemical baths, where each layer reacts to the chemicals to produce the final image. C-type prints are known for their rich color depth and are widely used in fine art and commercial photography.
The complete set of four c-prints, on matt photo paper mounted to mount board (as issued). All prints signed, annotated 'A'-'D' respectively and numbered in black marker on the reverse
Close Contact by Jenny Saville, a set of four C-prints from 2002, delves into the raw and corporeal aspects of the human body, challenging conventional ideas of beauty and form. Each image presents close-up perspectives of the female form, with exaggerated and distorted flesh, as hands press and manipulate the skin in a tactile exploration of texture and weight. Saville’s focus on the body as a visceral, almost sculptural entity emphasizes both vulnerability and strength, with a focus on the physicality that is often hidden or minimized in mainstream representations. The work invites viewers to confront their perceptions of the body, as Saville's intense, almost confrontational approach to depicting flesh and form imbues each piece with an unsettling yet compelling intimacy. This set, part of a limited edition of 25, showcases Saville’s commitment to exploring the complexity of human form with unflinching realism.
Jenny Saville (United Kingdom, 1970) is a contemporary painter renowned for her large-scale depictions of the female form. A member of the Young British Artists, she challenges traditional representations of the body through her expressive brushwork and exploration of flesh. Her work is featured in major collections worldwide.
Painting is my natural language. I feel in my own universe when I’m painting.
- Jenny Saville
Jenny Saville is a modern British painter best known for her works depicting nude female figures in large scale. She credits her approach to the works of Pablo Picasso, which showed her the depiction of people as if they were substantial rather than ephemeral. One of her better known works, Branded, is in oil on a 7' x 6' canvas. Jenny Saville painted her own face on a female form that was obese, with a midsection and breasts that are the size of caricature. The figure is even holding out skin folds in a way that seems demonstrative. Fulcrum features three obese female forms on an 8 1/2' x 16' canvas, all stacked on a medical trolley. After painting, Saville applied thin tape strips vertically and then took them off, causing a contrast between the straight lines and the curves of the flesh. Her work seems to counter the societal "ideal" of the slender female form.
Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.