Lady by Joana Vasconcelos, created in 2014, is a textile sculpture that combines the form of a seated dog with intricate handmade cotton crochet patterns. The piece is adorned with a colorful array of crochet motifs in hues of pink, yellow, green, and white, covering the surface of the dog’s figure in a patchwork-like fashion. This fusion of traditional crochet techniques with a modern sculptural form highlights Vasconcelos’s exploration of cultural heritage, domestic crafts, and their reinterpretation in contemporary art. By dressing an animal figure in vibrant textile patterns, Vasconcelos transforms a familiar form into a whimsical and culturally resonant object, blending elements of craft and high art.
Joana Vasconcelos (Portugal, 1971) is a contemporary artist known for her large-scale, vibrant installations that combine everyday objects with traditional crafts. Her works often explore themes of identity, femininity, and cultural heritage, using materials like textiles, ceramics, and LED lights to challenge social norms and celebrate Portuguese culture.
SculptureTextile refers to a flexible material made by weaving, felting, crocheting, knitting, or knotting long strands of natural or synthetic yarn or thread. Textile artists often create their own materials or use selected textiles in fabric art compositions, incorporating a wide range of textures and patterns.
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77 X 32 X 43 cm
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Unique work
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20,000EUR
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handmade cotton crochet
Lady by Joana Vasconcelos, created in 2014, is a textile sculpture that combines the form of a seated dog with intricate handmade cotton crochet patterns. The piece is adorned with a colorful array of crochet motifs in hues of pink, yellow, green, and white, covering the surface of the dog’s figure in a patchwork-like fashion. This fusion of traditional crochet techniques with a modern sculptural form highlights Vasconcelos’s exploration of cultural heritage, domestic crafts, and their reinterpretation in contemporary art. By dressing an animal figure in vibrant textile patterns, Vasconcelos transforms a familiar form into a whimsical and culturally resonant object, blending elements of craft and high art.
Joana Vasconcelos (Portugal, 1971) is a contemporary artist known for her large-scale, vibrant installations that combine everyday objects with traditional crafts. Her works often explore themes of identity, femininity, and cultural heritage, using materials like textiles, ceramics, and LED lights to challenge social norms and celebrate Portuguese culture.
I don’t do large scale for monumental sake. The scale of my works derives from my choice of materials to convey a message.
- Joana Vasconcelos
Joana Vasconcelos, a Paris-born Portuguese artist, is a well-known artist who has had over 1 million people visit her exhibition(s). Joana Vasconcelos’s work was inspired by the 1960’s Nouveau Realisme movement. She has based her creative process off of overthrowing everyday realities and objects. Most of her work can be associated with feminism and political and social issues. Joana Vasconcelos uses a variety of mediums that include sculptures, performance, video and photographic records, and installations. Joana Vasconcelos has attended a variety of art-events; some of these events include group exhibitions as well as single exhibitions. One of the most important art-events Joana attended was the 51st International Art Exhibition; this is the exhibition in which her work because internationally know. Another important art-event she attended was the 55th International Art Exhibition in which she showcased a project for the Pavlillion of Portugal called Trafaria Praia. One of Vasconcelos's most famous pieces is the A Noiva (The Bridge); this piece consists of a chandelier, which is 20 feet high, made out of tampons rather than glass bulbs and other relative material. In order to create this piece, she used everyday items and turned them into a piece of art; she used over 25 000 tampons to create this piece. (Artist website)
Feminist art refers to the art that emerged from the feminist art movement during the 1960s and 1970s. It developed with the intention of critiquing 20th-century gender ideals and challenging the traditional canon of art history. Feminist art seeks to create a dialogue between the artwork and the viewer through a feminist lens, often addressing issues of gender, identity, and social justic