Stamped with the artist's name, title, date, and exhibition on the reverse.
- Published on the occasion of Shio Kusaka & Jonas Wood exhibition by Voorlinden Museum, Netherlands, 30 September 2017 - 7 January 2018.
Large Shelf Still Life (2017) by Jonas Wood is an offset lithograph measuring 58.5 × 58.5 cm, stamped on the verso and unsigned. The work exemplifies Wood’s distinctive approach to contemporary still life, where flat planes of color, bold outlines, and intricate patterns transform everyday scenes into vibrant compositions. Here, a dense arrangement of potted plants, vessels, and objects fills the shelves, evoking both domestic intimacy and formal abstraction. By merging influences from modernist painting, Japanese prints, and personal surroundings, Wood creates a scene that is at once playful and meticulously structured.
Jonas Wood (USA, 1977) is a contemporary painter celebrated for his vibrant, patterned compositions that merge domestic scenes, landscapes, and still lifes. Known for his distinctive, flattened perspective, Wood draws inspiration from everyday life and modernist aesthetics, creating works that are both intimate and visually striking. His paintings often incorporate elements of collage, blending realism with abstraction.
Offset PrintOffset lithography is a printing technique where the inked image is first transferred (offset) from a plate to a rubber blanket and then to the printing surface. This method combines the lithographic process, which relies on the repulsion of water and oil, to keep non-printing areas ink-free by attracting a water-based film. Offset lithography was originally developed to reduce costs in reproducing artwork and is widely used for high-volume printing due to its efficiency and ability to produce sharp, consistent images.
Stamped with the artist's name, title, date, and exhibition on the reverse.
- Published on the occasion of Shio Kusaka & Jonas Wood exhibition by Voorlinden Museum, Netherlands, 30 September 2017 - 7 January 2018.
Large Shelf Still Life (2017) by Jonas Wood is an offset lithograph measuring 58.5 × 58.5 cm, stamped on the verso and unsigned. The work exemplifies Wood’s distinctive approach to contemporary still life, where flat planes of color, bold outlines, and intricate patterns transform everyday scenes into vibrant compositions. Here, a dense arrangement of potted plants, vessels, and objects fills the shelves, evoking both domestic intimacy and formal abstraction. By merging influences from modernist painting, Japanese prints, and personal surroundings, Wood creates a scene that is at once playful and meticulously structured.
Jonas Wood (USA, 1977) is a contemporary painter celebrated for his vibrant, patterned compositions that merge domestic scenes, landscapes, and still lifes. Known for his distinctive, flattened perspective, Wood draws inspiration from everyday life and modernist aesthetics, creating works that are both intimate and visually striking. His paintings often incorporate elements of collage, blending realism with abstraction.
Flattening space in a painting lets me see how images collide, overlap, and transform.
- Jonas Wood
Known for his unique works that simultaneously reference art history as well as his own experiences and personal outlook, Jonas Wood is a painter who draws inspiration from collages, drawings and photography in creating his own images. Wood’s work is often described as sincere due to its recurrent motifs of still-life and domestic interiors, as exemplified in such works as Hammer and Speaker - the artist himself has stated that he is “interested in exploring the spaces that I’ve inhabited and the psychological impact they've had on me and my memories of them.” Using a combination of bright colour, vivid pattern and flattened space, Wood creates works that are often categorised as abstract; he has also been associated with a number of other styles, including Modernism and Pop Art, and has cited Lucien Freud, David Hockney and Alex Katz as influences, remarking: “All three of them are superheroes.”
A found object is a term used to describe a man-made or natural object, or a fragment of one, that an artist discovers or purchases and keeps for inspiration or as a work of art. The artist may also modify the object or incorporate it into a collage or assemblage, transforming it into a new piece of art.