13-colour screenprints on rising museum board. Hand-signed by artist, Signed, dated and numbered on the front.
A triptych: a gnarled bonsai twists out of a speckled grey rock; a heavy cluster of yellow bananas hangs against a soft green ground; and a bromeliad rears up in blue-grey striped leaves topped by a golden flame. Each square sheet labels its plant in vast soft outline type — BONSAI, BANANAS, BROMELIAD. Wood's thirteen-colour screenprint on Rising Museum board, each hand-signed, dated and numbered on the front, distils his celebrated still-life vocabulary into a definitive set — a confident acquisition for any contemporary collection of American printmaking.
Jonas Wood (USA, 1977) is a contemporary painter celebrated for his vibrant, patterned compositions that merge domestic scenes, landscapes, and still lifes. Known for his distinctive, flattened perspective, Wood draws inspiration from everyday life and modernist aesthetics, creating works that are both intimate and visually striking. His paintings often incorporate elements of collage, blending realism with abstraction.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
13-colour screenprints on rising museum board. Hand-signed by artist, Signed, dated and numbered on the front.
A triptych: a gnarled bonsai twists out of a speckled grey rock; a heavy cluster of yellow bananas hangs against a soft green ground; and a bromeliad rears up in blue-grey striped leaves topped by a golden flame. Each square sheet labels its plant in vast soft outline type — BONSAI, BANANAS, BROMELIAD. Wood's thirteen-colour screenprint on Rising Museum board, each hand-signed, dated and numbered on the front, distils his celebrated still-life vocabulary into a definitive set — a confident acquisition for any contemporary collection of American printmaking.
Jonas Wood (USA, 1977) is a contemporary painter celebrated for his vibrant, patterned compositions that merge domestic scenes, landscapes, and still lifes. Known for his distinctive, flattened perspective, Wood draws inspiration from everyday life and modernist aesthetics, creating works that are both intimate and visually striking. His paintings often incorporate elements of collage, blending realism with abstraction.
Flattening space in a painting lets me see how images collide, overlap, and transform.
- Jonas Wood
Known for his unique works that simultaneously reference art history as well as his own experiences and personal outlook, Jonas Wood is a painter who draws inspiration from collages, drawings and photography in creating his own images. Wood’s work is often described as sincere due to its recurrent motifs of still-life and domestic interiors, as exemplified in such works as Hammer and Speaker - the artist himself has stated that he is “interested in exploring the spaces that I’ve inhabited and the psychological impact they've had on me and my memories of them.” Using a combination of bright colour, vivid pattern and flattened space, Wood creates works that are often categorised as abstract; he has also been associated with a number of other styles, including Modernism and Pop Art, and has cited Lucien Freud, David Hockney and Alex Katz as influences, remarking: “All three of them are superheroes.”
Naïve art describes a style of artwork that is simple and unsophisticated, often created by artists without formal training in an academy or art school. The style is characterized by a lack of advanced techniques, giving it a childlike appearance. Naïve art often features bright colors, simple shapes, and a straightforward approach to subject matter, reflecting the artist's untrained perspective.