Schnabel, Julian | Untitled, 1992-1999 — available on Composition Gallery
Inkjet-print worked-over with fibre on strong paper. Monogrammed, dated, and numbered. Image size: 34.5 x 26.5 cm. Sheet size: 43 x 28 cm. Published by Texte zur Kunst, Berlin (ed.).
Untitled (1992–1999) by Julian?Schnabel is an inkjet print on strong paper, enhanced with expressive overpainting using fibre pen. Measuring approximately 34.5?×?26.5?cm (image size), it is part of an edition of 100 plus 20 additional copies, published by Texte zur Kunst in March 1999. The artist monogrammed, dated, and numbered each piece, blurring distinctions between reproduction and original. Gestural strokes and handwritten marks disrupt the printed imagery, emphasizing Schnabel’s interest in the materiality of the imprimature and performative mark-making. This work occupies an important place within his prints—bridging digital processes and painterly intervention, rooted in Neo?Expressionist tendencies.
Artwork Copyright © Julian Schnabel
Julian Schnabel (United States, 1951) is a multidisciplinary artist and filmmaker. He gained prominence in the 1980s with his 'plate paintings,' large-scale works incorporating broken ceramics. A leading figure in Neo-Expressionism, Schnabel's films, such as 'The Diving Bell and the Butterfly,' have received critical acclaim.
Artwork Copyright © Julian Schnabel

Untitled, 1992-1999

Form

Medium

Edition

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Inkjet-print worked-over with fibre on strong paper. Monogrammed, dated, and numbered. Image size: 34.5 x 26.5 cm. Sheet size: 43 x 28 cm. Published by Texte zur Kunst, Berlin (ed.).
Untitled (1992–1999) by Julian?Schnabel is an inkjet print on strong paper, enhanced with expressive overpainting using fibre pen. Measuring approximately 34.5?×?26.5?cm (image size), it is part of an edition of 100 plus 20 additional copies, published by Texte zur Kunst in March 1999. The artist monogrammed, dated, and numbered each piece, blurring distinctions between reproduction and original. Gestural strokes and handwritten marks disrupt the printed imagery, emphasizing Schnabel’s interest in the materiality of the imprimature and performative mark-making. This work occupies an important place within his prints—bridging digital processes and painterly intervention, rooted in Neo?Expressionist tendencies.
Artwork Copyright © Julian Schnabel
Julian Schnabel (United States, 1951) is a multidisciplinary artist and filmmaker. He gained prominence in the 1980s with his 'plate paintings,' large-scale works incorporating broken ceramics. A leading figure in Neo-Expressionism, Schnabel's films, such as 'The Diving Bell and the Butterfly,' have received critical acclaim.
Artwork Copyright © Julian Schnabel
per non dimenticare

Julian Schnabel

per non dimenticare, 1997

Limited Edition Print

Lithograph

EUR 3,000

Untitled

Julian Schnabel

Untitled, 1992-1999

Limited Edition Print

Inkjet print

EUR 1,100

Best Buddies

Julian Schnabel

Best Buddies, 1992

Limited Edition Print

Serigraph

USD 4,000 - 6,000

Malfi (Set of Three)

Julian Schnabel

Malfi (Set of Three), 1998

Limited Edition Print

Silkscreen

USD 9,250

Roy

Julian Schnabel

Roy, 1998

Limited Edition Print

Silkscreen

USD 4,800

Guiseppe (Brooding on the vast Abyss)

Julian Schnabel

Guiseppe (Brooding on the vast Abyss), 1998

Limited Edition Print

Silkscreen

USD 4,800

Bandini from View of Dawn in the Tropics Series

Julian Schnabel

Bandini from View of Dawn in the Tropics Series, 1998

Limited Edition Print

Silkscreen

USD 4,700

Allen (Cordial love)

Julian Schnabel

Allen (Cordial love), 1998

Limited Edition Print

Silkscreen

USD 4,990

A Boy from Naples Year

Julian Schnabel

A Boy from Naples Year, 1986

Limited Edition Print

Mixed Media

Currently Not Available

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What is matter painting?

What is matter painting?

Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.

Schnabel, Julian | Untitled, 1992-1999 — available on Composition Gallery

Julian Schnabel

Untitled, 1992-1999

43 x 28 cm

Est. 2005 — twenty years of collecting, online.