Hand spray-painted exhibition catalogue in an edition of 100 unique works (signed, numbered), It is full painted on both sides (verso/recto) and can be framed. The title and further information are on the plastic cover and not printed on the book itself, it is possible to remove. Please email us for more pictures
Katharina Grosse (Germany, 1961) is a German artist celebrated for her vibrant, large-scale installations and immersive paintings. Using spray guns, she transforms diverse surfaces like buildings, landscapes, and canvases into explosive fields of color. Grosse's work challenges the boundaries of painting, redefining it as an expansive, spatial experience.
Acrylic on paperAcrylic on paper is a technique that involves using acrylic paints on various paper types and textures. Artists often choose watercolor paper with smooth or rough surfaces to apply acrylics using watercolor techniques such as bleeding, washing, and spattering. This approach allows for a wide range of effects, combining the flexibility of acrylics with the delicate qualities of watercolor methods.
Hand spray-painted exhibition catalogue in an edition of 100 unique works (signed, numbered), It is full painted on both sides (verso/recto) and can be framed. The title and further information are on the plastic cover and not printed on the book itself, it is possible to remove. Please email us for more pictures
Katharina Grosse (Germany, 1961) is a German artist celebrated for her vibrant, large-scale installations and immersive paintings. Using spray guns, she transforms diverse surfaces like buildings, landscapes, and canvases into explosive fields of color. Grosse's work challenges the boundaries of painting, redefining it as an expansive, spatial experience.
About tricks that I play to myself or to others. I am the trickster, I guess.
- Katharina Grosse
Contemporary German artist Katharina Grosse, an abstract painter and sculptor, is best known for large, psychedelic installations that push the figurative and literal boundaries of painting. Using pigmented dirt and airbrushed acrylic paint, Grosse adheres to no canvas save the natural or man-made architecture above, below, and around her. The viewer, too, is meant to be absorbed into the piece rather than merely seeing it from a distance. Like the spirit behind their creation, Grosse's works convey a plethora of emotion, vibrancy, and movement. Before acquiring her current fame, Grosse studied for eight years at two German art academies, one of which now employs her as a professor. Influenced by fresco, en plein air painting, Abstract Expressionism, and graffiti art, she gained attention in the mid 1990's with her unconventional Color Field paintings, which were intentionally dirty and imperfect. She became known for her use of bold color rather than flawless brushwork to suggest form. As her ideas and talent grew in magnitude, so did her pieces. She upgraded from a brush on canvas to a broom on large sheets of paper and eventually to her signature industrial airbrush that suited her broad brushstrokes and imagination. In May 2014 in Philadelphia, Grosse completed a massive project entitled psychylustro, meant to be seen along the railway corridor by the thousands of passengers that ride the train. Bright swaths of color decorate passing features: massive orange-on-white streaks on an old warehouse, lime green smears on transportation infrastructures, and even a blanket of fuchsia over a young patch of trees and vegetation. Like most of her large installations, psychylustro is meant to erode and change over time. (Artist website)
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.