Ufan, Lee | Lee UFAN | Dalla Memoria Di Una Citta #3, 1989 — available on Composition Gallery
Framed
Dalla Memoria Di Una Citta #3 by Lee Ufan, created in 1989, is a lithograph that epitomizes the artist’s minimalist and meditative approach to art. The composition features sweeping black brushstrokes on a pale background, each mark varying in opacity and intensity. These bold strokes, combined with scattered spots and lighter textures, create a harmonious balance between emptiness and form, inviting viewers to contemplate the interplay of presence and absence. The deliberate placement of each brushstroke embodies Ufan’s philosophy of being and nothingness, encouraging a quiet reflection on spatial relationships. The simplicity of the monochromatic palette emphasizes the raw expression of each mark, resulting in an artwork that feels both restrained and powerful, resonating with Ufan’s exploration of memory, perception, and the essence of existence.
Artwork Copyright © Lee Ufan
Lee Ufan (South Korea, 1936) is a pivotal figure in the Mono-ha movement. His minimalist works explore the relationship between materials and space, often juxtaposing natural and industrial elements. Known for meditative sculptures and restrained paintings, Lee’s art invites contemplation and emphasizes harmony between human presence and the natural world.
Artwork Copyright © Lee Ufan

Lee UFAN | Dalla Memoria Di Una Citta #3, 1989

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Framed
Dalla Memoria Di Una Citta #3 by Lee Ufan, created in 1989, is a lithograph that epitomizes the artist’s minimalist and meditative approach to art. The composition features sweeping black brushstrokes on a pale background, each mark varying in opacity and intensity. These bold strokes, combined with scattered spots and lighter textures, create a harmonious balance between emptiness and form, inviting viewers to contemplate the interplay of presence and absence. The deliberate placement of each brushstroke embodies Ufan’s philosophy of being and nothingness, encouraging a quiet reflection on spatial relationships. The simplicity of the monochromatic palette emphasizes the raw expression of each mark, resulting in an artwork that feels both restrained and powerful, resonating with Ufan’s exploration of memory, perception, and the essence of existence.
Artwork Copyright © Lee Ufan
Lee Ufan (South Korea, 1936) is a pivotal figure in the Mono-ha movement. His minimalist works explore the relationship between materials and space, often juxtaposing natural and industrial elements. Known for meditative sculptures and restrained paintings, Lee’s art invites contemplation and emphasizes harmony between human presence and the natural world.
Artwork Copyright © Lee Ufan
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Lee UFAN | Dalla Memoria Di Una Citta #3

Lee Ufan

Lee UFAN | Dalla Memoria Di Una Citta #3, 1989

Limited Edition Print

Lithograph

Currently Not Available

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What is conceptual art?

What is conceptual art?

Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.

Ufan, Lee | Lee UFAN | Dalla Memoria Di Una Citta #3, 1989 — available on Composition Gallery

Lee Ufan

Lee UFAN | Dalla Memoria Di Una Citta #3, 1989

60 x 80 cm

Est. 2005 — twenty years of collecting, online.