Unique work from a series of 100 screenprint - 28 colour screenprints on 410 gsm somerset radiant white paper - In mint condition
Work No. 3167 by Martin Creed, created in 2018, is a unique piece from a series of 100 screen prints. The artwork features 28 distinct shades of blue arranged in horizontal bands on high-quality Somerset radiant white paper. Each band displays a gradient of tones that transition smoothly, creating a rhythm of blues that evokes a sense of calm and contemplation. The piece captures Creed’s minimalist aesthetic, where simplicity and repetition reveal depth and complexity. The varied shades of blue in this print highlight Creed’s exploration of color and form, inviting viewers to find nuance in the repetition. This work exemplifies his methodical approach, transforming basic color blocks into an engaging visual experience.
Martin Creed (UK, 1968) is a conceptual artist and musician celebrated for his minimalist and provocative works. Winner of the 2001 Turner Prize for Work No. 227: The lights going on and off, his art often transforms mundane objects and actions into thought-provoking pieces. Creed’s multidisciplinary approach includes installations, music, and performance.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Unique work from a series of 100 screenprint - 28 colour screenprints on 410 gsm somerset radiant white paper - In mint condition
Work No. 3167 by Martin Creed, created in 2018, is a unique piece from a series of 100 screen prints. The artwork features 28 distinct shades of blue arranged in horizontal bands on high-quality Somerset radiant white paper. Each band displays a gradient of tones that transition smoothly, creating a rhythm of blues that evokes a sense of calm and contemplation. The piece captures Creed’s minimalist aesthetic, where simplicity and repetition reveal depth and complexity. The varied shades of blue in this print highlight Creed’s exploration of color and form, inviting viewers to find nuance in the repetition. This work exemplifies his methodical approach, transforming basic color blocks into an engaging visual experience.
Martin Creed (UK, 1968) is a conceptual artist and musician celebrated for his minimalist and provocative works. Winner of the 2001 Turner Prize for Work No. 227: The lights going on and off, his art often transforms mundane objects and actions into thought-provoking pieces. Creed’s multidisciplinary approach includes installations, music, and performance.
My work is 50% about what I make and 50% about what other people make of it.
- Martin Creed
Martin Creed (b. 1968, UK) is a British artist known for his playful, thought-provoking works that often challenge conventional definitions of art. Creed's work spans a variety of mediums, including sculpture, installation art, music, and performance. He gained widespread recognition after winning the Turner Prize in 2001 with his controversial piece "Work No. 227: The lights going on and off," which consisted of an empty room where the lights intermittently switched on and off. Creed's art is characterized by its simplicity, humor, and the use of everyday objects and actions to explore deeper philosophical questions about existence, perception, and value. His work often blurs the line between art and life, prompting viewers to reconsider their assumptions about what constitutes art. Creed’s works have been exhibited in major institutions around the world, including the Tate Modern in London and the Museum of Modern Art in New York, solidifying his position as a leading figure in contemporary conceptual art. (Artist website)
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.