Acrylic on panel.
Unique work. Signed and dated to verso ‘Richard Anuszkiewicz 1975’.
Soft Gray (1975) by Richard Anuszkiewicz is a unique acrylic on panel measuring 49.8 × 65.7 cm. A leading figure of the Op Art movement, Anuszkiewicz uses precise geometry and subtle shifts in color to create a vibrating sense of depth and optical rhythm. Here, a field of soft gray is punctuated by vertical linear elements that transition from turquoise to deep violet, producing a pulsating visual effect that seems to expand and contract as the eye moves across the surface. The work exemplifies Anuszkiewicz’s exploration of color interaction and perception, turning rigorous abstraction into a meditative yet dynamic experience.
Richard Anuszkiewicz (USA, 1930–2020) was a leading figure in the Op Art movement, renowned for his vibrant, geometric paintings that explore optical perception and color theory. Influenced by Josef Albers, his works use precise patterns and contrasting hues to create dynamic visual effects. Anuszkiewicz's art remains celebrated for its hypnotic and mathematically inspired compositions.
Acrylic paintAcrylic paint is a fast-drying paint made from pigment suspended in an acrylic polymer emulsion. It is water-soluble when wet but becomes water-resistant once dry. Acrylic paints offer unique characteristics that are not easily achieved with other media, allowing for effects similar to both oil and watercolor paintings while providing their own distinct qualities.
Acrylic on panel.
Unique work. Signed and dated to verso ‘Richard Anuszkiewicz 1975’.
Soft Gray (1975) by Richard Anuszkiewicz is a unique acrylic on panel measuring 49.8 × 65.7 cm. A leading figure of the Op Art movement, Anuszkiewicz uses precise geometry and subtle shifts in color to create a vibrating sense of depth and optical rhythm. Here, a field of soft gray is punctuated by vertical linear elements that transition from turquoise to deep violet, producing a pulsating visual effect that seems to expand and contract as the eye moves across the surface. The work exemplifies Anuszkiewicz’s exploration of color interaction and perception, turning rigorous abstraction into a meditative yet dynamic experience.
Richard Anuszkiewicz (USA, 1930–2020) was a leading figure in the Op Art movement, renowned for his vibrant, geometric paintings that explore optical perception and color theory. Influenced by Josef Albers, his works use precise patterns and contrasting hues to create dynamic visual effects. Anuszkiewicz's art remains celebrated for its hypnotic and mathematically inspired compositions.
I've taken color a step further than it had been taken by the Impressionists and the Neo-Impressionists.
- Richard Anuszkiewicz
Unique in his artistic style, yet associated with Minimalism, Conceptualism and Pop Art, Richard Artschwager was a painter, sculptor and illustrator whose career eluded categorisation and instead traversed all three associated styles, resulting in his own signature works. Artschwager’s art was often created with the aim of analysing and questioning the relationship between illusion and perception; one of his most notable works, Table and Chair, is a sculpture comprised of two laminate-covered blocks, serving as a depiction of both furniture and of functional items. Prior to his artistic success, Artschwager had founded a business as a furniture designer and manufacturer – this experience remained integral to his later artworks; he often used such construction materials as wood, Formica and Celotex. Alongside his instillations and sculptures, Artschwager was known for the creation of ‘blps’ - an enlarged punctuation mark crafted from horsehair, wood and paint, then subsequently placed in spaces, serving as a linguistic reference. (Artist website)
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.