Original screenprint in colors - Signed in pencil, and numbered - unframed
(Lembark S21.)
Sam Francis's For the Blue Sons of the Air is a vibrant screen-print that showcases the artist's affinity for color and dynamic compositions. This limited edition print, created in 1990, features a swirling arrangement of greens, blues, and reds on a white background, creating a sense of movement and energy. The abstract forms appear to float and interact across the canvas, evoking feelings of airiness and fluidity. Francis’s splashes and drips of color bring to mind both natural and cosmic elements, suggesting a mystical homage to the 'blue sons' or the ethereal qualities of air. The piece, signed and numbered in pencil, reflects Francis’s distinctive style of layered abstraction and emotive color work.
Sam Francis (USA, 1923–1994) was an influential abstract painter known for his vibrant, color-drenched canvases. Associated with Abstract Expressionism and Lyrical Abstraction, his work often featured dynamic splashes and drips, exploring light, space, and movement with a global artistic perspective.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Original screenprint in colors - Signed in pencil, and numbered - unframed
(Lembark S21.)
Sam Francis's For the Blue Sons of the Air is a vibrant screen-print that showcases the artist's affinity for color and dynamic compositions. This limited edition print, created in 1990, features a swirling arrangement of greens, blues, and reds on a white background, creating a sense of movement and energy. The abstract forms appear to float and interact across the canvas, evoking feelings of airiness and fluidity. Francis’s splashes and drips of color bring to mind both natural and cosmic elements, suggesting a mystical homage to the 'blue sons' or the ethereal qualities of air. The piece, signed and numbered in pencil, reflects Francis’s distinctive style of layered abstraction and emotive color work.
Sam Francis (USA, 1923–1994) was an influential abstract painter known for his vibrant, color-drenched canvases. Associated with Abstract Expressionism and Lyrical Abstraction, his work often featured dynamic splashes and drips, exploring light, space, and movement with a global artistic perspective.
Sam Francis was an American painter whose breakthrough into America came with his participation in the exhibition of, Twelve Americans in the New York Museum of Modern Art in 1956. During this time of Sam's life his style changed from monochrome compositions to colorful. Sam Francis was initially influenced by the abstract expressionists and later became associated with second generation abstract expressionists. Sam Francis spent the 1950's in Paris and it was there his first exhibition was held at the Galerie Nina Dausset. His art while there was influenced by his exposure to French modern painting, Asian culture and Zen Buddhism. During the 50's, Sam's art would evolve through a series of stages from monochromatic abstractions to richly colored murals. Sam Francis's calligraphic characteristic of applying color with lyrical properties of liquid paint are referred to as, Asian art. He traveled the world with these pieces visiting: Japan, Thailand and India showing the painting at exhibitions in Tokyo and Osaka. He then went on to develop a personal style of spontaneous and gestic drippings. Sam created his art by applying acrylic, oil and watercolors to the image by using revolving and splashing motions. Sam Francis then changed his technique again in the 1970's by covering his surfaces with a net-like structure, and again when he began to use lithography, etching and monotype. He created some expressive compositions while experimenting in the 1980's by partially running colors. With this style Sam received some large commissions for mural work. (Artist website)
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.