This pigmented digital output print was created by the artist in 2001. Signed in pencil and numbered, from the edition of 100 measuring 28.25 x 33 in. (71.8 x 83.8 cm.). Published by Art of the Twentieth Century, NY.
This untitled piece by Terry Winters, part of the Doctors of the World portfolio, showcases a dense network of black lines in a chaotic, yet organized flow across the paper. Created as a limited edition digital print in 2001, this work highlights Winters' fascination with organic patterns and systems. The interwoven lines seem to reference natural structures like neural networks or mycelium, hinting at complexity and connection beneath the surface. The overlapping layers evoke a sense of depth and movement, drawing the viewer into a visual maze. Published by Art of the Twentieth Century, New York, this piece is signed and numbered in pencil, from an edition of 100, adding to its exclusivity and collectability.
Terry Winters (USA, 1949) is a painter and printmaker known for his abstract works that explore organic forms, networks, and systems. His compositions, often characterized by complex layers and intricate textures, evoke scientific imagery and natural patterns. Winters’ work bridges the gap between abstraction and representation, engaging viewers in a dialogue between art and nature.
PrintDigital print on paper refers to a digital image printed with archival-grade inks on high-quality, acid-free paper. This process ensures the print can last over twenty years if properly stored. The digital file allows for future prints to be made as needed.
This pigmented digital output print was created by the artist in 2001. Signed in pencil and numbered, from the edition of 100 measuring 28.25 x 33 in. (71.8 x 83.8 cm.). Published by Art of the Twentieth Century, NY.
This untitled piece by Terry Winters, part of the Doctors of the World portfolio, showcases a dense network of black lines in a chaotic, yet organized flow across the paper. Created as a limited edition digital print in 2001, this work highlights Winters' fascination with organic patterns and systems. The interwoven lines seem to reference natural structures like neural networks or mycelium, hinting at complexity and connection beneath the surface. The overlapping layers evoke a sense of depth and movement, drawing the viewer into a visual maze. Published by Art of the Twentieth Century, New York, this piece is signed and numbered in pencil, from an edition of 100, adding to its exclusivity and collectability.
Terry Winters (USA, 1949) is a painter and printmaker known for his abstract works that explore organic forms, networks, and systems. His compositions, often characterized by complex layers and intricate textures, evoke scientific imagery and natural patterns. Winters’ work bridges the gap between abstraction and representation, engaging viewers in a dialogue between art and nature.
Untitled (From the Doctors of the World portfolio) , 2001
Limited Edition Print
Digital Print on paper
Currently Not Available
No sold works to show.
Painting is a combination of carpentry and catastrophe.
- Terry Winters
Terry Winters is a painter and printmaker whose art has progressed to envelop styles including minimalism, abstraction and modernism. Winters’ earliest works were heavily influenced by the minimalistic outputs of Brice Marden, but he eventually evolved into a style that was focussed on both organic shapes and often abstract images of botanicals and other natural mediums; Winters is also renowned for his interest and analysis of scientific processes and mathematics-based patterns – evidenced in works such as his Clocks and Clouds series. Throughout the course of his career, Winter’s work has gradually become more complex, but the fundamental collection and subsequent collation of images, as a means of reference, has always been a basis on which he has created – the collages that he puts together are steady preparation for his artistic endeavour; Winters likens this to a ‘readymade‘ that he aims to eventually perfect. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.