Waltercio Caldas WC 56 1 by Waltercio Caldas, created in 2015, is a minimalist digital print with embossing on paper. The artwork centers on a dark, soft-edged, abstract shape in deep blue and green hues, floating in the upper portion of the composition. Below it, a single, small black dot anchors the space, creating a sense of balance within the open white background. This restrained and meditative piece exemplifies Caldas’ focus on minimalism, space, and form, inviting the viewer to contemplate the relationship between elements, the play of color, and the subtle interaction between figure and void.
Waltercio Caldas (Brazil, 1946) is a renowned contemporary artist known for his minimalist sculptures and conceptual installations. His works often incorporate geometric forms, reflective surfaces, and a sense of spatial tension, challenging perceptions of light and void. Caldas has represented Brazil at the Venice Biennale and exhibited widely in prestigious galleries worldwide.
Digital Print on paperDigital print on paper refers to a digital image printed with archival-grade inks on high-quality, acid-free paper. This process ensures the print can last over twenty years if properly stored. The digital file allows for future prints to be made as needed.
Size
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77 X 57 cm
Edition
Edition of 40
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1,800EUR
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Digital print and embossing
Waltercio Caldas WC 56 1 by Waltercio Caldas, created in 2015, is a minimalist digital print with embossing on paper. The artwork centers on a dark, soft-edged, abstract shape in deep blue and green hues, floating in the upper portion of the composition. Below it, a single, small black dot anchors the space, creating a sense of balance within the open white background. This restrained and meditative piece exemplifies Caldas’ focus on minimalism, space, and form, inviting the viewer to contemplate the relationship between elements, the play of color, and the subtle interaction between figure and void.
Waltercio Caldas (Brazil, 1946) is a renowned contemporary artist known for his minimalist sculptures and conceptual installations. His works often incorporate geometric forms, reflective surfaces, and a sense of spatial tension, challenging perceptions of light and void. Caldas has represented Brazil at the Venice Biennale and exhibited widely in prestigious galleries worldwide.
I don’t really care about the materials. I am more interested in the relationship between the materials.
- Waltercio Caldas
Brazilian artist Waltercio Caldas is an award winning sculptor and graphic artist. On some occasions he has produced sketches, paintings, installation art exhibits and public works. He also for a short time influenced the Brazilian art scene by working for the art magazine Malasartes, who's focus was on providing information on "art and visual perception" to its readers. Waltercio Caldas was the son of a civil engineer which is highly reflected in his work. In the early 60's he was a pupil of avant-garde Brazilian artist Ivan Serpa, who was a professor at the Museum of Modern Art, Rio de Janeiro at the time. Caldas' main claim to fame is his participation in the short-lived Neo-Concretism movement that was based in Brazil from the years 1959 to 1961. The goal of Neo-Concretism was to undermine propaganda muralist art which was often used as a political tool in Central and Southern America. Waltercio Caldas's tutor Serpa, was also an active and well known participant of the movement. Waltercio Caldas has worked with many mediums such as glass, metal and even yarn, with which he forms works that are made of simple outlines of objects and shapes. His style takes minimalism to the extreme and studies space while at the same time creates simple yet charming works. Waltercio Caldas's imagery of outlines are used to create both realistic and abstract designs. One famous work titled Como Imprimir Sombras (How To Print Shadows) is a transparent sculpture of a book that has a ghostly aura. Another of his well known sculptures that is of a more abstract persuasion is the 1994 piece titled Omkring (Around), which is a metal sculpture that Waltercio Caldas used to make a statement about Norwegian architecture's relation to space. It is on permanent display near Leirfjord, Norway. Waltercio Caldas has earned a Brasilia Art Award and a Mario Pedrosa Award for the exhibit The Finest Air which was named Best Show of The Year in Brazil. He has shows in many notable art museums worldwide and has been commissioned to create public works as well.Today he resides and works in Rio de Janeiro.
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.