Waltercio Caldas' Without Title 5 (2015) is a minimalist lithograph that explores the relationship between form, color, and space. Dominated by a large lavender rectangle set against a white background, the composition is interrupted by two thin, black lines that intersect and extend beyond the rectangle's borders. This subtle arrangement creates a delicate balance between the solid shape and the linear elements, drawing attention to the negative space and the interaction of simplicity with complexity. Known for his minimalist approach, Caldas invites viewers to contemplate the nuances of perception, where minimal forms suggest depth and spatial relationships beyond what initially meets the eye.
Waltercio Caldas (Brazil, 1946) is a renowned contemporary artist known for his minimalist sculptures and conceptual installations. His works often incorporate geometric forms, reflective surfaces, and a sense of spatial tension, challenging perceptions of light and void. Caldas has represented Brazil at the Venice Biennale and exhibited widely in prestigious galleries worldwide.
Lithograph and collageMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
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79 X 60 cm
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Edition of 40
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1,800EUR
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Lithograph and collage
Waltercio Caldas' Without Title 5 (2015) is a minimalist lithograph that explores the relationship between form, color, and space. Dominated by a large lavender rectangle set against a white background, the composition is interrupted by two thin, black lines that intersect and extend beyond the rectangle's borders. This subtle arrangement creates a delicate balance between the solid shape and the linear elements, drawing attention to the negative space and the interaction of simplicity with complexity. Known for his minimalist approach, Caldas invites viewers to contemplate the nuances of perception, where minimal forms suggest depth and spatial relationships beyond what initially meets the eye.
Waltercio Caldas (Brazil, 1946) is a renowned contemporary artist known for his minimalist sculptures and conceptual installations. His works often incorporate geometric forms, reflective surfaces, and a sense of spatial tension, challenging perceptions of light and void. Caldas has represented Brazil at the Venice Biennale and exhibited widely in prestigious galleries worldwide.
I don’t really care about the materials. I am more interested in the relationship between the materials.
- Waltercio Caldas
Brazilian artist Waltercio Caldas is an award winning sculptor and graphic artist. On some occasions he has produced sketches, paintings, installation art exhibits and public works. He also for a short time influenced the Brazilian art scene by working for the art magazine Malasartes, who's focus was on providing information on "art and visual perception" to its readers. Waltercio Caldas was the son of a civil engineer which is highly reflected in his work. In the early 60's he was a pupil of avant-garde Brazilian artist Ivan Serpa, who was a professor at the Museum of Modern Art, Rio de Janeiro at the time. Caldas' main claim to fame is his participation in the short-lived Neo-Concretism movement that was based in Brazil from the years 1959 to 1961. The goal of Neo-Concretism was to undermine propaganda muralist art which was often used as a political tool in Central and Southern America. Waltercio Caldas's tutor Serpa, was also an active and well known participant of the movement. Waltercio Caldas has worked with many mediums such as glass, metal and even yarn, with which he forms works that are made of simple outlines of objects and shapes. His style takes minimalism to the extreme and studies space while at the same time creates simple yet charming works. Waltercio Caldas's imagery of outlines are used to create both realistic and abstract designs. One famous work titled Como Imprimir Sombras (How To Print Shadows) is a transparent sculpture of a book that has a ghostly aura. Another of his well known sculptures that is of a more abstract persuasion is the 1994 piece titled Omkring (Around), which is a metal sculpture that Waltercio Caldas used to make a statement about Norwegian architecture's relation to space. It is on permanent display near Leirfjord, Norway. Waltercio Caldas has earned a Brasilia Art Award and a Mario Pedrosa Award for the exhibit The Finest Air which was named Best Show of The Year in Brazil. He has shows in many notable art museums worldwide and has been commissioned to create public works as well.Today he resides and works in Rio de Janeiro.
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.