Woozebear and the Zoo-Bears
Woozebear and the Zoo-Bears
Kentridge, William | Woozebear and the Zoo-Bears, 1981 — available on Composition Gallery
Offset lithograph. Literature: Siebrits 238 An early poster, with information about the play on the verso. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work.
Playful yet subversive, this offset lithograph poster for the Junction Avenue Theatre Company's Woozebear and the Zoo-Bears reveals the young Kentridge's gift for combining illustration with political undertone. Printed in 1981 during the height of apartheid, the seemingly lighthearted title belies the socially engaged context of the production, while Kentridge's graphic style already hints at the narrative complexity that would define his later work. With play information on the verso, the poster functions as both artwork and historical document. Signed by the artist and surviving from an edition of only 20 to 30 impressions, this is among the rarest examples of Kentridge's early printed oeuvre.
Artwork Copyright © William Kentridge
William Kentridge (South Africa, 1955) is a globally acclaimed artist renowned for his expressive charcoal animations, installations, and performances. His work often explores themes of memory, politics, and history, particularly in relation to apartheid. Combining drawing, film, and theater, Kentridge creates powerful narratives that engage with social and historical complexities.
Artwork Copyright © William Kentridge

Woozebear and the Zoo-Bears, 1981

Form

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Offset lithograph. Literature: Siebrits 238 An early poster, with information about the play on the verso. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work.
Playful yet subversive, this offset lithograph poster for the Junction Avenue Theatre Company's Woozebear and the Zoo-Bears reveals the young Kentridge's gift for combining illustration with political undertone. Printed in 1981 during the height of apartheid, the seemingly lighthearted title belies the socially engaged context of the production, while Kentridge's graphic style already hints at the narrative complexity that would define his later work. With play information on the verso, the poster functions as both artwork and historical document. Signed by the artist and surviving from an edition of only 20 to 30 impressions, this is among the rarest examples of Kentridge's early printed oeuvre.
Artwork Copyright © William Kentridge
William Kentridge (South Africa, 1955) is a globally acclaimed artist renowned for his expressive charcoal animations, installations, and performances. His work often explores themes of memory, politics, and history, particularly in relation to apartheid. Combining drawing, film, and theater, Kentridge creates powerful narratives that engage with social and historical complexities.
Artwork Copyright © William Kentridge
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Limited Edition Print

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Limited Edition Print

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Limited Edition Print

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What is figurative art?

What is figurative art?

Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.

Kentridge, William | Woozebear and the Zoo-Bears, 1981 — available on Composition Gallery

William Kentridge

Woozebear and the Zoo-Bears, 1981

60 x 42 cm

Est. 2005 — twenty years of collecting, online.