André Komatsu

André Komatsu (Brazil, 1978) is a contemporary artist known for his sculptures and installations that critique social and urban systems. Using materials like concrete, bricks, and everyday objects, he examines power dynamics and societal constraints. His works invite reflection on the constructed nature of modern social structures.

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Desapropriaçâo 1

André Komatsu

Desapropriaçâo 1, 2011

Limited Edition Print

Lithograph

EUR 700

Desapropriaçâo 2

André Komatsu

Desapropriaçâo 2 , 2011

Limited Edition Print

Lithograph

EUR 700

Desapropriaçâo 3

André Komatsu

Desapropriaçâo 3 , 2011

Limited Edition Print

Lithograph

EUR 700

No sold works to show.

André Komatsu was born in 1978 and is a Brazilian artist who lives in Sao Paulo. Komatsu's architectural installments normally show objects that don't complement each other. He likes to position something that takes out the functionality of the main object. His work often features a concrete or brick wall which symbolizes society's stagnation and the roadblocks that continue to affect social imbalances and injustice. One of Komatsu's most popular displays is called 'Febre De Ouro' which is a series of fenced rooms made with galvanized steel. The fenced rooms continue to get smaller and smaller as you walk through them, and they continue on until you can't fit. The installation is disturbing and gives the feeling of suffocation or claustrophobia, even though the viewer can see through the outside of the fence. Komatsu is part of the 'Invisible Movement' and focuses on how people deal with established powers and space in urban areas. He work shows how we have territorial limits in the world.

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What is site specific art? Artwork by Christo

What is site specific art?

Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to m…

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