Figuration Libre

What is Figuration Libre?

Figuration Libre is an art movement that is equivalent to the French Bad Painting and Neo-Expressionism in Europe and America. The term was coined by Ben Vautier and the Fluxus movement. In 1981, Robert Combas, François Boisrond, Hervé Di Rosa, and Rémi Blanchard formed the Figuration Libre group. The term can be interpreted as free style art, emphasizing spontaneity, freedom, and a rejection of traditional artistic conventions.
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Homage to Federico Garcia Lorca

Robert Combas

Homage to Federico Garcia Lorca, 2001

Limited Edition Print

Silkscreen

EUR 1,000

Head

Jean-Michel Basquiat

Head, 2001

Limited Edition Print

Screen-print

Currently Not Available

Apocalypse 3

Keith Haring

Apocalypse 3, 1988

Limited Edition Print

Screen-print

EUR 12,250

Tete montagne I

Karel Appel

Tete montagne I, 1976

Limited Edition Print

Aquatint

EUR 2,350

Face

Susan Rothenberg

Face, 2001

Limited Edition Print

Pigment print

Currently Not Available

Fight Aids Worldwide

Keith Haring

Fight Aids Worldwide, 1990

Limited Edition Print

Lithograph

EUR 6,250

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Mail art

Mail Art is a populist art movement centered on the creation and exchange of small-scale artworks through the postal service. It developed out of the Fluxus movement in the 1950s and 1960s and has since evolved into a global art movement. Ray Johnson is recognized as the first mail artist, and his New York School is considered the first network of mail artists. Mail artists rely heavily on a network to exchange their works, often creating a community of artists connected through the postal system.

Installation

Installation art is a three-dimensional artistic genre that involves site-specific works designed to alter the viewer's perception of space. These works are typically created for interior spaces, such as museums and galleries, but can also be found in private and public locations. Installation art can be temporary or permanent, depending on its purpose and setting.

Readymade

Readymade is the term coined by French artist Marcel Duchamp to describe artworks created from manufactured objects. Duchamp selected ordinary, functional items that he felt had visual indifference, turning them into art simply by choosing and presenting them in a new context. This concept challenged traditional notions of art and continues to influence artists who adopt similar approaches today.

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Est. 2005 — twenty years of collecting, online.