// Albert Ràfols-Casamada's Jardí-5 (1985) is a drypoint print that showcases his signature abstract and gestural style. The triangular composition features intersecting lines and organic forms, creating a sense of dynamic movement and spontaneity. The sparse, black etchings on the light background convey an airy and delicate feel, while the irregular marks suggest a play between nature and abstraction, reminiscent of a garden's organic chaos. This limited edition print, produced in an edition of 50, highlights Ràfols-Casamada's ability to merge simplicity with expressive power, inviting viewers to engage with the poetic minimalism of his work.
Albert Ràfols-Casamada (Spain, 1923–2009) was a multifaceted Catalan artist whose work evolved from post-expressionist figurative painting to a unique abstract style. He co-founded the EINA art and design school in Barcelona and was also an accomplished poet, publishing several volumes of poetry.
DrypointDrypoint is an intaglio printmaking technique where an image is incised onto a plate using a sharp, pointed tool, typically a needle made of metal or diamond. Traditionally, copper plates were used, but today zinc, plexiglass, or acetate are also common. Drypoint is easier for drawing artists to master compared to engraving, as the needle technique resembles drawing with a pencil rather than the more complex burin used in engraving.
// Albert Ràfols-Casamada's Jardí-5 (1985) is a drypoint print that showcases his signature abstract and gestural style. The triangular composition features intersecting lines and organic forms, creating a sense of dynamic movement and spontaneity. The sparse, black etchings on the light background convey an airy and delicate feel, while the irregular marks suggest a play between nature and abstraction, reminiscent of a garden's organic chaos. This limited edition print, produced in an edition of 50, highlights Ràfols-Casamada's ability to merge simplicity with expressive power, inviting viewers to engage with the poetic minimalism of his work.
Albert Ràfols-Casamada (Spain, 1923–2009) was a multifaceted Catalan artist whose work evolved from post-expressionist figurative painting to a unique abstract style. He co-founded the EINA art and design school in Barcelona and was also an accomplished poet, publishing several volumes of poetry.
The tradition of Spanish Catalan classical landscape portraiture, is the culture in which Albert Rafols Casamada grew up. For him, and several of his contemporaries, the features of this land, are a statement about their definition of what reality fundamentally is: an immediate awareness of colour, soil, space, and time. Casamada's ability to apprehend the mood and character of the light that pulsates across the Catalan plains, strongly defined hie earlier works. Born in 1923 in an artistic family (both his parents were painters), he started sketching from an early age and studied architecture at the University of Barcelona for a few years before choosing to become a painter at the age of 25. His academic training impacted his work with a continued sense of structure. An early figurative phase gradually gave way to fully-fledged works of abstraction, immersed in his continued interest in the Catalan terrain and environment. He was significantly influenced by an exhibition of the abstract expressionist works of Jackson Pollock and Mark Rothko in Madrid which he attended in 1959. It encapsulated his own desire to incorporate the language of the avant garde modernity in his own paintings, which are steeped in the tradition of his Latin heritage. Besides being a long -established painter, Casamada is also an internationally acclaimed poet in the Spanish speaking world. His remarkable contribution to this Catalan school of abstract expressionism, rooted in the lyrical description of everyday life, played a vital part in establishing and developing Spanish modern art.
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.