// Navegador by Antonio Dias, a lithograph from 2015, is a hauntingly intricate depiction that blurs the boundaries between the organic and the cosmic. Set against a deep, star-studded black background, the artwork features an anatomical rendering of a human brain and nervous system, which cascades down in delicate, root-like structures. The composition suggests both a biological form and an otherworldly entity, as if the brain is tethered to the cosmos, navigating through an abstract space. The white, intricate lines of the nervous system resemble both roots and celestial connections, evoking themes of consciousness, interconnectedness, and the human experience within the universe. Part of an edition of 30, this lithograph reflects Dias's exploration of existence and introspection, merging scientific imagery with a sense of mystery and transcendence.
Antonio Dias (Brazil, 1944–2018) was a multifaceted artist whose work spanned painting, sculpture, and conceptual art. A prominent figure in the Tropicália movement, he critiqued political oppression and societal issues through his art. Dias's innovative use of materials and engagement with global art dialogues cemented his legacy in contemporary art.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Size
Inches
Centimeters
106 X 70 cm
Edition
Edition of 30
Price
USD
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GBP
CHF
2,500EUR
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+ VAT/import Duties (if applicable)
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// Navegador by Antonio Dias, a lithograph from 2015, is a hauntingly intricate depiction that blurs the boundaries between the organic and the cosmic. Set against a deep, star-studded black background, the artwork features an anatomical rendering of a human brain and nervous system, which cascades down in delicate, root-like structures. The composition suggests both a biological form and an otherworldly entity, as if the brain is tethered to the cosmos, navigating through an abstract space. The white, intricate lines of the nervous system resemble both roots and celestial connections, evoking themes of consciousness, interconnectedness, and the human experience within the universe. Part of an edition of 30, this lithograph reflects Dias's exploration of existence and introspection, merging scientific imagery with a sense of mystery and transcendence.
Antonio Dias (Brazil, 1944–2018) was a multifaceted artist whose work spanned painting, sculpture, and conceptual art. A prominent figure in the Tropicália movement, he critiqued political oppression and societal issues through his art. Dias's innovative use of materials and engagement with global art dialogues cemented his legacy in contemporary art.
I always protest when I’m accused of being Pop—it’s not my part.
- Antonio Dias
Antonio Dias (b. 1944 Brazil, d. 2018 Brazil) was a pioneering Brazilian artist known for his multifaceted approach to conceptual art, painting, and installation. Dias's work is characterized by its engagement with political and social issues, often reflecting the turbulent political climate of Brazil in the 1960s and 1970s. His early works combine elements of Pop Art with political commentary, while his later pieces delve into themes of identity, eroticism, and the intersection of art and life. Dias was also a significant figure in the global art scene, spending time in Europe and Asia, where his work continued to evolve in response to different cultural contexts. His innovative approach and critical engagement with contemporary issues have made him a key figure in Latin American and global contemporary art. (Artist website)
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.