lithograph and screenprint, 1973, on Arjomari paper, signed and dated in pencil, numbered 41/50, published by Gemini G.E.L., Los Angeles, with their blindstamps, apparently generally in very good condition, not examined out of the frame. Image: 33½ x 46¼ in. (851 x 1175 mm.) Sheet: 35 7/8 x 48¾ in. (911 x 1238 mm.)
Bruce Nauman (USA, 1941) is a pioneering contemporary artist whose work spans sculpture, video, performance, and installation. Known for his conceptual rigor and use of language, light, and sound, Nauman explores themes of identity, perception, and the human condition. His provocative art challenges boundaries and has profoundly influenced postmodern and contemporary practices.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
lithograph and screenprint, 1973, on Arjomari paper, signed and dated in pencil, numbered 41/50, published by Gemini G.E.L., Los Angeles, with their blindstamps, apparently generally in very good condition, not examined out of the frame. Image: 33½ x 46¼ in. (851 x 1175 mm.) Sheet: 35 7/8 x 48¾ in. (911 x 1238 mm.)
Bruce Nauman (USA, 1941) is a pioneering contemporary artist whose work spans sculpture, video, performance, and installation. Known for his conceptual rigor and use of language, light, and sound, Nauman explores themes of identity, perception, and the human condition. His provocative art challenges boundaries and has profoundly influenced postmodern and contemporary practices.
What I am really concerned about is what art is supposed to be - and can become.
- Bruce Nauman
Multi-faceted in his approach to art, Bruce Nauman is celebrated for his works across a wide range of media including performance, sculpture, and his trademark use of neon. Nauman’s work is celebrated for its humour and irony – some works employ these themes to an unsettling degree forcing the viewer to confront their own physicality, other works are just plain funny – neon works such as Run From Fear, Fun From Rear highlight the metaphorical and semantic possibilities that arise from a simple and subtle rearrangement of letters. Commenting on his expansive range of disciplines and mediums, Nauman recalled his profound realisation of ”If I was an artist and I was in the studio, then whatever I was doing in the studio must be art. At this point art became more of an activity and less of a product.” Many of Nauman’s works tackle the themes of human psychology with often disturbing effects – Changing Light Corridor with Rooms is one among many ‘claustrophobic’ works and consists of a long, enclosed corridor, flanked either side by two rooms that have been installed with flashing bulbs, timed to flicker at different rates.
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.